Mark Fuhrman Quotes
Rewards are directly proportional to the suspect and his peers' status in society: $100,000 was offered in the Moxley case. It meant nothing to millionaires.
Quotes to Explore
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Yes, all fundamentalists feel that in a secular society, God has been relegated to the margin, to the periphery and they are all in different ways seeking to drag him out of that peripheral position, back to center stage.
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If we don't change from a world society that worships money and power to one that worships compassion and generosity, I think we'll be extinct by mid-century. I don't say that as an alarmist or as a pessimist.
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Do our children now have to choose between getting an education and dying? Some of us cannot move on and accept that kind of society.
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The reason I decided to run for Senate is one of my responsibilities as governor is to make sure that the voices of our people and our small businesses in New Hampshire are heard in Washington and that we continue to make the type of progress we're making here at the state level; we need that same type of response and progress in Washington.
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Society exists only as a mental concept; in the real world there are only individuals.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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It took 23 years from Abraxane being conceived to us showing now with conclusiveness that it works in pancreatic cancer. We cannot afford as a society to wait another 23 years to make sure that the patients get the right care, at the right time, at the right place.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.
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Artists are political in the sense that they've subtracted themselves from the structure of the marketplace and are contributing something that's not utilitarian. Even though books get sold, and I get advances, I get to look at society and think for a living.
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Rising anti-Semitism is rarely the lone or the last expression of intolerance in a society.
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The more democratic and open a society is, the more it's exposed to terrorism. The more a country is free, not governed by a police regime, the more it risks hijackings or massacres like the ones that took place for many years in Italy and Germany and other parts of Europe.
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When people accept breaking the law as normal, something happens to the whole society.
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Terror will crash down on us if we fail to understand that a pluralistic society requires the personal and daily commitment of every citizen.
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In a free society, we will tolerate boorish people, who have abhorrent behavior, but if we're civilized people, we publicly criticize that, and don't belong to those groups or don't associate with those people.
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'Menace II Society' itself was a groundbreaking film. It's definitely going to go in the vaults of classics in all of cinema. The Hughes Brothers created an incredible project. Just gave the world something a little different than what we had seen in previous films in that same genre.
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I think kids in every minority need to see people like themselves in books; that's an acknowledgment of their existence on this planet and in this society.
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Socrates gave a lifetime to the outpouring of his substance in the shape of the greatest benefits bestowed on all who cared to receive them. In other words, he made those who lived in his society better men and sent them on their way rejoicing.
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You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.
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When you're rehearsing, you get really inspired in the beginning, but then it becomes repetitious and you lose the magic. How do you get the magic again? The magic happens when you're not pushing it.
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I'm a model, and I happen to model for curvy things, but at the end of the day, I'm still in front of a camera just like anyone else.
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...the baresark loses all fear; his method is all-out attack, and invariably he takes his opponent with him even if he falls.
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Rewards are directly proportional to the suspect and his peers' status in society: $100,000 was offered in the Moxley case. It meant nothing to millionaires.
