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I'm obsessed with things that are distinctly analogue.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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I don't think I have a signature.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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I'm a fast writer.
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There's nothing wrong with doing sequels, they're just easier to sell.
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We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
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I hope to make movies that are so small they don't need to make anything to be profitable.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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You can never guess or assume what anyone is going to think.
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I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.
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I love recording music.
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As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
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With three kids you are just trying to survive. You can't be fastidious.
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Pitching is always a weird, difficult thing.
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When there's an authentic mystery, as opposed to just a question being asked, that's what makes you lean forward.
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Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
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One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show without ever breaking its reality.
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Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.
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The experience I had seeing Star Wars for the first time was mind-blowing. Eleven is a great age to have your mind blown. I will never forget that feeling of seeing 'Long time ago, in a galaxy, far, far away' fade out. It was the first time a movie made me believe in another world that way.
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When you go to commercial, you want something to call the viewers back, and if you don't have a decent act out, the audience probably won't be there in the numbers you want when the show returns.
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I find that it's hard to fully examine one's life and not have faith be part of the discussion.
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When I was a kid, among the other embarrassing things I would do, and there's a list of stupid things, but I would make these dumb comedy tapes. I would often make prank phone calls, but I would also do it with friends.
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I try to work on shows that I would want to watch.