J. J. Abrams Quotes
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I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.
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I’ve always liked working on stories that combine people who are relatable with something insane. … The most exciting thing for me is crossing that bridge between something we know is real and something that is extraordinary. The thing for me has always been how you cross that bridge.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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Robotics are beginning to cross that line from absolutely primitive motion to motion that resembles animal or human behavior.
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I'm not as optimistic as Gene Roddenberry was. I fall somewhere in the middle. But as a romantic, I like to think things are going to get bigger rather than worse.
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I do think there's something about the digital age that is increasingly dehumanising us. We're in this very weird place where we're being pulled into experiences that aren't really experiences at all.
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It was nothing that I think any one of us took on because it was a gig that was available. It was something that felt like a true passion and something that every single person brought much more than any of us could have expected. … I do honestly feel honored to be part of this group.
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I'd like to use IMAX. The problem with IMAX is that it's a very loud camera. It's a very unreliable camera. Only so much film can be in the camera. You can't really do intimate scenes with it.
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I think that the success of the film is as much about it being something that families could share as anything else.
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Approaching any movie with a three in the title you know you are not going to get a political polemic. You are not going to get some sort of political statement or ultra-deep message.
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It's not often that I read about actors that I'm going to be meeting. I get to read articles about actors who were going to come in, so I get to see someone and say, "Oh, I read that I was going to see you. It's very nice to see you."
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Whenever you're playing sports with people who are better than you are, it makes you rise to the occasion.
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On movies like Star Trek and Star Wars, you have so much that will be created or extended digitally, and it's a slippery slope where you can get lost in a world of synthetic.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.
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It's cool to be a nerd. There's a general understanding that smartphones didn't come from jocks. The digital age was foreseen by a group of short-sleeved, buttoned-down, white-shirted guys and their female equivalents designing the very stuff that's now ubiquitous.
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Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that.
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I was more of a Star Wars kid, actually. I always thought Star Trek was a lot of talk, and it felt a little self-important. It was hard for me to get into it.
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We went on the opening weekend [of Star Wars], a group of us went out and just popped into a couple theaters just to see people in the theater watching the movie, and it was incredibly gratifying just to see the thing out there being watched by people. And the reaction was more than we could've expected.
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And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.
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I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
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I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
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I've just been lucky to work on things that I felt would be cool to see. It's not that I had a strategy or anything.
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Every hour that you spend doing something, even if you love it more than anything, you're not with your family. Every project that you take on, that's another choice.
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I guess the idea of not wanting to choose to direct a film, for which I've not read a script. It's a tough decision to make without seeing any pages. That's not to say that I don't have all the faith in the world in the spectacular writers.