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I am a gay man who loves James Bond films and snooker - all kinds of working-class pursuits.
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My dad was quite a forbidding figure. I realise now that that was mainly because he worked so hard. He wasn't unkind, but he was a presence.
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'Misfits' is one of my favorite shows; I think it's a fantastic show.
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Even when I was a child, I always wanted to be older. I realised just in time that it's a mistake and to enjoy my youth while I had it.
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I grew up with low self-esteem. I didn't think I was very pretty. I had glasses, red hair and was generally quite a spod.
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All films speak to their times. It becomes obvious only after.
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I always wanted to do Restoration comedy. It seems like so much fun.
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For some reason, I always get offered plays when I'm doing plays and then, if I stop doing them, people stop asking me.
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Grooming-wise, it is now a constant battle as I progressively turn into my father. I have to keep on top of ear and nose hair - things you never believe will happen to you. Suddenly I have a shaving brush in my ear and I don't know where it's come from, and the more hair I take the out, the more it surges back.
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One of the pleasures of the original 'Grimm's Fairy Tales' is how incredibly ghastly they are. The ugly sisters have their eyes pecked out by crows.
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I'm terribly nostalgic, but I'm with the Elizabethans who thought nostalgia was a disease. It's a dangerous place to be because you can get caught up in it.
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They are called 'Emos' now, and before that they were 'Goths.' They didn't have a name for it when I was one, but I was that black-wearing teenager and yes, I wore a little eyeliner.
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Slightly forgettable movies can sometimes make great musicals.
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The question I ask myself is: have I really just become a squeamish middle-aged man, or has something happened to the horror genre that shows a growing appetite for watching torture, or at least a desire to explore it on film? And if so, why would that be? I can't pretend I know. I just know I don't like it.
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The reason I wanted to do 'The First Men in the Moon' was that there is something so challenging in the combination of space travel and the Edwardian period.
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I love going to galleries, particularly the National Portrait Gallery.
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'Monty Python' is now more recognised by the films than by the TV series.
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Europe is so much the home of Horror, with its myths of vampires, werewolves, witchcraft and the undead, yet it's like those myths were exported to Hollywood, leaving Europe the room to develop a new tradition as a way of processing its traumas, particularly the two world wars.
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It's a cliche, but it's true that all the fun lies in baddies, grotesques and comic roles.
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'Son of Frankenstein' is never talked about in the same tone as James Whale's 1931 'Frankenstein.' But it should be. It was Boris Karloff's last appearance in the Frankenstein series and stars Donnie Dunagan, then a child actor.
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I'm an actor and a writer, that's how I think of myself. Sometimes my time is divided equally, sometimes less equally, but that's what I do.
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Sci-fi and fantasy used to be a TV staple throughout my childhood. Then it just stopped dead. It was seen as culty, a minority interest.
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When I was seven or eight, I was bought a fantastic book called 'The Movie Treasury of Horror Movies' by Alan G. Frank; it became my bible. It's packed full of the most amazing photos and is still fantastic to look at.
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The first film I can remember seeing on TV was 'The Brides of Dracula.' I was instantly hooked.