Danny Kaye Quotes
Quotes to Explore
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The thing about doing anything artificial to your hair is that you have to look after it. So you're always vulnerable to the weather and time.
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I'm not sure if being known opened or closed doors for me.
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Certainly, I devote my energy to both telling my personal life story and seeking self- obliteration. However, I will not destroy myself through art.
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I've been disappointed by so many movie stars that I've seen, and they go out and they don't do it up, you know. And they don't - I just get so disappointed.
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Usually, English personalities are difficult; they don't take criticism easily.
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I don't ever want to stop making country, and I don't want to stop making electronic music, either.
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I want some colleague to be free to come help me when I say the time has come. That's what I'm fighting for, me. Now that sounds selfish. And if it helps somebody else, so be it.
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There's the wonder of being able to do research from your own living room, of course. I do find that my biggest research issue, though, is how to frame my questions.
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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Earth's dispossessed are vulnerable targets for extremists: those who teach that global justice is meaningless; that satisfaction can come only in violence, division, and intellectual isolation.
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When I was a baby feminist, leading feminist thinkers were insisting that if women ran the world, there would be no sadism or war.
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You have to be proud of who you are.
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Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.
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There are a lot of artists in Gowanus, and certain things come into your visual vocabulary from living there - the scale of the subway and the canal, sometimes it almost looks like a de Chirico painting, with the intense angles of the shadows and everything.
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We have real enemies in the world. These enemies must be found. They must be pursued and they must be defeated.
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Directing 'Fifty Shades of Grey' has been an intense and incredible journey for which I am hugely grateful. I have Universal to thank for that.
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If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.
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I feel very much satisfied to play in Baltimore.
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I get so many different types of people emailing me how much my story impacts them. Hearing that inspires me every day to keep going and going.
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I have no deep-seated desire to be famous; that's not what's driving me, so if it's something I don't want to do, I don't do it. Maybe it's stubborn, but any choices, if you don't like them, yell at me, because it for sure was my bad.
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Great melody over great riffs is, to me, the secret of it all.
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What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.
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I really don't think that Detroit was any different than New York of Boston or Philadelphia. Kids always wanted to listen to music outside because that's where they hung out with their friends.
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I am a wife-made man.
