Darren Aronofsky Quotes
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I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
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I've spent a life loving women and studying them as much as I can, or am allowed to.
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In the story, which is only a few chapters long in Genesis, Noah never even speaks until after the flood - but when you have Russell Crowe, you're going to make him speak.
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I know some people that have gone through serious struggles. People that were close to me, and I've seen some terrible things about people who lose it. So I think that type of pain is something that's human and that, actually, can help us look at ourselves a little bit.
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Turning 30 was when my parents both got cancer and were fighting it and beat it, but their mortality started to get to me. Everything wasn't as hunky-dory like it was.
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Comic books and graphic novels are a great medium. It's incredibly underused.
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I think people are people and, if their feelings are truthful, they can connect. It doesn't matter if you're an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
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I think that there's an infinite amount of places where you can stick a camera. There's an infinite amount of choices of what could be going on. There's an infinite amount of places for so many things, so you have to figure out how to do your job.
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CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them. The way we did it, everything was actual photographed images. A lot of that stuff was shot through a microscope of chemical reactions, yeast growing, lots of weird things, by Peter Parks. We put it into a computer and collaged it, manipulated it. Meaning we digitally shaped it to fit with other images. But there was no computer-generated imagery at all.
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I think religion is often very different from spirituality. Religion is often about rules and people trying to control our lives who are actually very unspiritual... God can be found anywhere, and in fact, everywhere. And you don
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I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors.
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People have been screaming about the end of times forever, it's always the end of times. But there's just so much evidence that the world is changing so radically right now. How much can the world take?
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Artist and illustrator R. Crumb did a whole illustration of Genesis. And he didn't go away from the text; he was totally truthful. Reading through that, I was like, "Oh, wow, it's a comic-book version of the Bible." There's a lot of heavy-duty stuff that goes on that doesn't make it into Sunday school.
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I remember the few times that happened to me in writing, where you basically start writing and you look at the clock and six hours have gone by and you're, like, "Whoa! What the hell just happened?" And that piece ends up in the final product even though the final product is three years away. It doesn't get rewritten. It came out the right way. But that's happened to me so few times in my life.
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Noah is the battle of justice versus mercy. In Genesis it says that Noah was righteous in his times. You think you sort of know what righteous means, you know, if you listen to a lot of Bob Marley. According to all the biblical scholars we talked to, righteousness is the proper balance of justice and mercy. If you think of that, as a parent, you know that if you have too much justice and you're too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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I don't think I make genre films. I think studios try to sell films as genres because they know how to do that. There's nothing wrong with that. I don't know what I make. It's sort of a pot roast, all my films.
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Casting ethnic characters is a very hard thing to do, but it's important. It's also interesting.
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I think there's something in collaboration - the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people... The act of collaboration, where you can talk to someone, hang out, get ideas going, there is something in that. That's similar between everyone. But I think every individual collaborator is different, because they have different brains and emotions and ways of working, so it changes. Definitely.
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In seventh grade I had a magical teacher, her name was Mrs. Fried. She wore only pink, she drove a pink Mustang, and she was half out of her head. But very inspiring. And one day she said, "Take out a paper and pen and write something about peace." For some reason I wrote a poem on Noah - I don't know why I chose Noah - and it turned out it was for a contest for the UN. I ended up winning and reading the poem in front of the UN. I remember Mrs. Fried telling me, "When you write your first book, dedicate it to me." That was like, "Whoa."
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There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
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I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
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I'm not a comic book guy at all.
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But steady-cams are very different than hand-helds, because hand-held gives you that verite feel.
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My hope is that I'm going to continue to make more and more challenging work that's going to come out more and more interesting. I don't know if that will always continue to happen, but every one of my films has definitely been a progression as far as complexity of narrative, character, and plot.