Kirsten Dunst Quotes
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What actor do you really take seriously who becomes a singer? It's kind of ridiculous. I can't think of anybody.
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I hate red-carpet photographs!
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I've always been someone who is pretty hard on herself. But I've lightened up a lot.
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I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
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Why would I cry over a boy? I would never waste my tears on a boy. Why waste your tears on someone who makes you cry?
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You really can't explain how you do the things you do. I can't, anyway. I love certain actors, but sometimes they say the stupidest things about technique. I don't want to say something stupid.
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I'm happiest when I'm just hanging out with my friends... it really doesn't matter what we do.
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I would have loved to have been in a Hitchcock movie.
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It's hard to get lost in a scene, to get into a character when everyone's standing around you on the set.
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In high school I had a boyfriend who was super into rap, so I was into Too $hort and Wu-Tang for a little while. And my best friend's older brother would sometimes drive us home in this pimped-out truck, and he'd play all his dirty rap music. We thought we were really cool.
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I liked the girly cartoons. I was very much a girly-girl.
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When I'm working, I always listen to music to zone everyone else out.
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I'm always looking for that movie that feels like it's hitting me where I need it.
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I think the best thing about my job is that I have my life documented, which not many people get to have. They have a photo here and there and maybe some video footage from a birthday. My kids will be able to see me growing up.
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You need your family in this business. It's one of the most important things to keep you grounded. You come home and your mom's like, 'Clean the kitty's litter box.' It's not like it's all about me.
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When you feel good is when you're not afraid to feel the worst.
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I would always rather do a mediocre script with a great filmmaker than a great script with a mediocre filmmaker.
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When you spend your entire life as a child actress, being told where to go and where to stand, you're performing constantly for people. It definitely breeds the kind of person who's dependent on other people's approval.
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The filmmaker is really important to me: it could be their first film; it's not just about their reputation, but I have to really believe in them.
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People always tell me, 'Don't work so much', but I can't help it. I feel like all the things I've done are important to get to this adult stage and now I'm getting all these adult offers, so it's working.
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I'm not someone who feels the pressure of someone else's expectations. That's a very young way to feel.
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When you're little, you're open to things. It's not like you get into this rehearsed zone when you're a child. At first you play different sides of yourself. And I think it will be really exciting one day to have a character to go into that's not anything like me whatsoever.
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I think most human beings go through some sort of depression in their life. And if they don't, I think that's weird.
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I don't gossip about myself.