Kit Harington Quotes
When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.
Quotes to Explore
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There's nothing wrong with being anthropomorphic. That's how we understand the world.
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I don't believe that intelligence can be reduced to a number, frankly. But I can see how doing exactly that produces a useful sorting mechanism in our society in order to separate children into categories of promising and doomed. The tests seem arbitrary and without real scientific value and yet have lasting consequences.
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My life has been a dream. If someone had to write a story about it, it would seem a little unreal. It's the kind of story I would read and say, 'Nah, that's not possible.'
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I think it takes 30 years to build a luxury brand.
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Trials by the adversarial contest must in time go the way of the ancient trial by battle and blood.
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Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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I've had the most untraumatic life a human being can have. But I've always been drawn to those who have had far more complicated histories.
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Small lending institutions lack the capability of their larger counterparts to hire the additional manpower necessary to deal with the hundreds of additional regulations created by Dodd-Frank.
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No change can come if those who are impacted the most by discrimination are not willing to stand up for themselves.
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In terms of my career, I am glad about the steps and moves that I have made. Because I would not want to blame anyone else but myself if anything goes wrong.
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Not a lot of people know this, but I'm very good at mathematics. When I was an angry teenager, I used to sit in my room and do quadratic equations to calm myself down.
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When I read the script and saw the jazz music setting, and when I read the name of the filmmaker was Damien Chazelle, I immediately got this mental image of Antoine Fuqua.
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Lebanon, Israel, Ireland, South Africa - wherever there is a bleeding sore on the body of the world, the same hard-eyed narrow-minded fanatics are busy, indifferent to life, in love with death.
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I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
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Pop music should be about young people.
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I was one of the only ones there interested in acting. You find when you're doing school plays that a lot of people there were on punishment, or something.
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Writers, actors, anybody working on an ensemble-type thing, there are going to be some creaks in the beginning. It seems like there's tremendous potential in just letting things sort of breathe a little bit. It's tremendously important.
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Who cares about great marks left behind? We have one life... just one. Our life. We have nothing else.
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When you transition, everyone kind of has to transition around you.
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I'm a big crier in general. The right life insurance commercial will take me out for a couple of days.
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It's so weird to say this about the icon and legend that is Cher, but she's like an old girlfriend. We still talk all the time. She's an incredible person personally and professionally, giving such amazing advice, stories for days, been there done that. She's one of a kind.
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Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
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When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.
