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The past is our treasure. Its works, whether we know them or not, flourish in our lives with whatever strength they had. From it we draw provision for our journey, the collected wisdom whose harvests are all ours to reap and carry with us, though we may never live again in the fields that grew them.
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The true call of the desert, of the mountains, or the sea, is their silence - free of the networks of dead speech.
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The art of advertising - untruthfulness combined with repetition.
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The tourist travels in his own atmosphere like a snail in his shell and stands, as it were, on his own perambulating doorstep to look at the continents of the world. But if you discard all this, and sally forth with a leisurely and blank mind, there is no knowing what may not happen to you.
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Few are the giants of the soul who actually feel that the human race is their family circle.
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Once divested of missionary virus, the cult of our gods gives no offence. It would be a peaceful age if this were recognized, and religion, Christian, communist or any other, were to rely on practice and not on conversion for her growth.
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On the other hand, there is a certain advantage in traveling with someone who has a reputation for shooting rather than being shot: as Keram said, in a self-satisfied way, they might kill me, but they would know that, if I was with him, there would be unpleasantness afterwards.
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not wholly consciously, but not quite unconsciously, as far as I can remember, I determined to fashion my future as a sculptor his marble, and there was in it the same mixture of foresight and the unknown. The thing in the mind of the artist takes its way and imposes its form as it wakens under his hand. And so with life.
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I think that the worst unpleasantness of age is not its final fact ... but the tediousness of preparation, the accumulating number of defeats.
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Whatever the advantages of the machine may be - and they are many - the very ease of its use is bound to make away with intimacy - the intercourse of human beings, of animals, or of that which we still think of as the natural world.
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The Persian's mind, like his illuminated manuscripts, does not deal in perspective: two thousand years, if he happens to know anything about them, are as exciting as the day before yesterday.
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It is only the unexpected that ever makes a customs officer think.
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The most ominous of fallacies - the belief that things can be kept static by inaction
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I do dislike people with Moral Aims. Everyone asks me why I learn Arabic, and when I say I just like it, they looked shocked and incredulous.
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Whoever designed this frigging map was having a laugh. Just around the corner, my arse.
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The greatest of mythologies divided its gods into creators, preservers and destroyers. Tidiness obviously belongs to the second category, which mitigates the terrific impact of the other two.
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You will, if you're wise and know the art of travel, let yourself go on the stream of the unknown and accept whatever comes in the spirit in which the gods may offer it.
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What I find trying in a country which you do not understand and where you cannot speak, is that you can never be yourself.
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I have met charming people, lots who would be charming if they hadn't got a complex about the British and everyone has pleasant and cheerful manners and I like most of the American voices. On the other hand I don't believe they have any God and their hats are frightful. On balance I prefer the Arabs.
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... except in the eyes of a few fanatics (untrustworthy as all lovers) an unmitigated expanse of water is dull even when blue: not in a small boat, where you are part of the winds and currents and tides and are allowed to hold the tiller now and then; but from those decks which the shipping companies with subconscious insight try to make as suburban as possible so that the impact of the monster outside may be lessened, and where the unrecognized boredom is so deep that a wispy smear of smoke on the horizon will queue up a crowd as if for a Valkyrie passing.
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A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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Travel does what good novelists also do to the life of everyday, placing it like a picture in a frame or a gem in its setting, so that the intrinsic qualities are made more clear. Travel does this with the very stuff that everyday life is made of, giving to it the sharp contour and meaning of art.
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A pen and a notebook and a reasonable amount of discrimination will change a journey from a mere annual into a perennial, its pleasures and pains renewable at will.
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Constancy, far from being a virtue, seems often to be the besetting sin of the human race, daughter of laziness and self-sufficiency, sister of sleep, the cause of most wars and practically all persecutions.