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If at first you don't succeed, pay someone else to do it for you.
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When people are amped up, they listen to more upbeat, loud songs. A Frank Sinatra album sets a certain mood, just as a Clash record sets another.
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There is nothing more awkward and more laughable than a naked dude with his wiener flopping.
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We're really good friends and we hang out. It's like I get to hang out with my friends and get paid for it.
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Yeah, I actually do know where I am.
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Writing music and lyrics that mean something personal to me. It's an exciting, intense, cathartic, this-is-who-I-am experience.
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The strongest human emotion is probably love. I think it's universal. I think that across language and country and time and everything else, probably love.
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I kinda like the duality of California and the dark side, the underbelly of California, and I think that's what this album ['California']feels like - there's endless hope and optimism but there's also a darker side.
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The collectability of music is something lost in the age of MP3s and album downloads. Holding an album in your hands and having the full-sized artwork reconnects the artist and the listener.
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I don't really have any secret shames. If I like an artist, I like them. Nothing to feel embarrassed about.
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California to me as a concept or as an idea always seems like endless optimism and endless opportunity - when people think of California they think of palm trees and blue skies and gorgeous sunsets and beaches and everything else.
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I firmly believe artists should be paid for what they create.
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Being a producer is a very different experience than writing my own songs.
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Home for me is wherever my wife and kid are.
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Too many bands practice in their garage, play a couple of shows locally, and expect opportunities to appear from the sky. Bands have to push, work, grind, and struggle to make it happen on their own.
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A lot of guys like to fantasize about having sex with 2 girls at the same time... I like to fantasize about having sex with the same girl twice, thank you.
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There's also this weirdness to California, this darkness, it's a place where people come to follow their dreams and sometimes don't make it.
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I would probably say, 'Don't worry so much about stuff as you grow up.'
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We worked very hard on that untitled record to do something different and that we were proud of and to try a bunch of different ideas. It was like this gigantic musical laboratory that we were going to every day. I love that record, I think that's one of the high watermarks of us as a band.
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Play music that means something to you. Make it happen for yourself.
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I live to play music, and hang out with my wife and kid, and hang out with my friends, and discover the world. Read books, watch movies, see art, see the world, meet new people.
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I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.
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I don't have a girlfriend, I have a dog.
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As a producer, I'm an objective observer, helping a band form their ideas into a cohesive album. It's a step back from the intimacy of creation.