Aaron Sorkin Quotes
The first thing I wrote was a one-act play that got accepted at a one-act play festival, and I was in it along with Nathan Lane and a couple of other very good actors.
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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Picking up a guitar brought a lot of balance into my life.
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I wasn't a visionary but I literally had my finger on the pulse of the women of America.
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I just want to stay creative, share my ideas and see where it all leads.
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I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
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We did a remake of Lost in Space. Filmed it in London for four months.
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Politics and power is a realm of relative influence.
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I feel like I have so many middle-aged women who look up to me.
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When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
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I love anything to do with history.
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Some campaigns are not worth waging if you can't win; others have to be fought on grounds of principle regardless of the chances for success.
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The thing, when you're down two sets to love, is to stay calm, even though it's hard, because people are freaking out, people are worried for you.
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Sex appeal is in the workplace every day of the week. I'm not saying that's the only calling card, but it's a whole crayon box.
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The true Tarot is symbolism; it speaks no other language and offers no other signs.
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I just always wanted to be left alone to go into a creative space.
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I don't know, a lot of people go crazy about 'Breaking Bad,' but I don't like the soap opera aspect of it and only following one character. I like the context to all of it, all the pieces, like 'The Wire.' It's more about the state of things; it's not about the narrative of a person.
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All one needs to do is read - books, magazines, research the Internet - and pay attention to the influencers in their lives to discover the myriad people of strong moral character who have and still are making positive, meaningful contributions and differences in our world.
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Ruby inherited the Perl philosophy of having more than one way to do the same thing. I inherited that philosophy from Larry Wall, who is my hero actually. I want to make Ruby users free. I want to give them the freedom to choose.
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This is one of the benefits, as well as one of the difficulties of directing a member of your family. You know where the buttons are. You can push them if you want.
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The problem is that my generation was pacified into believing that racism existed only in our history books.
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When I went to college, I met a new group of friends and looked back on my high-school experience and realized how much time I had wasted on trying to make myself something I wasn't.
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I'm constantly thinking about the role, and there's an infinite amount of questions you can ask yourself about a character to the point that it's hard to find the boundaries of when to not work.
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The first thing I wrote was a one-act play that got accepted at a one-act play festival, and I was in it along with Nathan Lane and a couple of other very good actors.
