David Bailey Quotes
Quotes to Explore
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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Our society needs to recognize the unstoppable momentum toward unequivocal civil equality for every gay, lesbian, bisexual and transgendered citizen of this country.
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I never said I don't like gay people.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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The truth is, it's not a great career move to create a readership and then, in effect, abandon them.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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I am not the candidate of career politicians in Washington.
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The childhood poverty of both my parents and their minimal education did much to influence me and my two younger brothers in our education and career choices. One brother became a dentist and the other, a professor of anthropology with a Ph.D. degree.
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It's a notion that career-oriented women often neglect their families. But we should cut them some flak; these women are doing everything for the sake of family so that it progresses. I believe when kids see their mothers working hard, they take up responsibilities at home and are far more well-turned out than other children.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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I knew that I was a gay boy fairly early; what was interesting to me was that my mother didn't know. She made me play baseball - I had no desire to do that. I said, 'Mom, I don't like direct sunlight, I don't like bugs, I don't like grass, and I'd rather be in the house playing with your fabric samples.'
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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Over my career, I've reinvented myself numerous times. I covered the Pentagon, the State Department, and the CIA. I wrote about labor wars, trade wars and real wars. I chronicled a nuclear plant meltdown and the defeat of Communism. I co-founded a couple of media businesses.
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Thirty-three-years-old, still creating art. It's rage, it's creativity, it's pain, it's hurt, but it's the opportunity to still have my voice get out there through music.
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Putting is not an art, it's a dreaded evil. No wise man ever said that.
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I've had young women come to me and say that before they watched 'Voyager' it didn't really occur to them that they could be successful in a higher position in the field of science; girls going to MIT, girls pursuing astrophysics with a view to a career in NASA.
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One way of watering down the effects of violence is to approach it in a more lighthearted way. I don't mean to say that you laugh when somebody has their arm sawn off, but you can diffuse fear with humour.
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I always say that non-violence is not the weapon of the weak. It is the weapon of the strong.
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You need a continuous picture of how things are evolving, and not a slow series of snapshots where you don't know how frame A is related to frame B.
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So, President Obama wants to change America. I understand that. We don't need to change America. We need to change the White House. We need to change the leadership in the White House.
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No democracy can long survive which does not accept as fundamental to its very existence the recognition of the rights of its minorities.
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John Parsons, the gay art director at 'Vogue,' really started my career.
