David Benioff Quotes
Every adaptation requires that the screenwriter make difficult choices - and in particular, difficult cuts.
Quotes to Explore
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I care most about how people live their lives, what choices they make, and how they get the best from themselves.
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What I find so interesting about people is the choices they make, and how that effects their behavior, their sense of self and their relationships.
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At times, our circumstances call for us to make critical choices to keep our covenants or to compromise them. Covenants should never be compromised, even when at the moment some circumstances might seem to justify it.
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It's all about trying to be very careful about what your next role or what your next move is gonna be. It's all about trying to have longevity in this business and make smart choices.
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The democratic system is premised on trust in the masses' wisdom. We believe that the collective is wiser than its parts and that, at the end of the day, it shall make the right choices and take the right decisions.
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As a filmmaker, you have to stand in front of what you did and make choices that you could do with a clear conscience.
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The shift to a cleaner energy economy wont happen overnight, and it will require tough choices along the way. But the debate is settled. Climate change is a fact.
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I planned so well for my post-'Cosby Show' life that I don't have to make desperate acting choices that conflict with what my values.
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It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.
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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.
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I listened to a lot of Joni Mitchell in high school. She was sort of an inspiration to me. I think she's a great lyricist, and she makes interesting choices.
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People get surprised by my choices. But that comes from me looking for something new.
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I've had an addiction for a long time to the whole business of maximizing one's potential, what I call human activation. The vehicle for actualizing oneself is choice, options, seeking out the proper choices.
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Behaviors are a choice. Feelings are sometimes out of our control. Behavior has to do with choices.
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There's something about being in a house with an audience, and having that immediate feedback. I started acting because of that energy; it's what feeds me on stage and informs my choices.
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The billion billion paths of his life lay open before him, waiting for his first choices, for the first changes in the world around him to eliminate a million futures every second.
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Just because you are lucky does not mean you make good choices.
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In a free society a large degree of human activity is none of the government's business. We should make criminal what's going to hurt other people and other than that we should leave it to people to make their own choices.
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My own foundation concentrates on women's economic empowerment on the basis that if women have their own money and are able to support themselves, they can make choices about what happens to them in their lives, about whether they have education, whether they get married, and what happens to their children.
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I think I get way too much credit for making what people consider to be smart choices, but it's only because I made a decision to stop worrying about making money. I had done network sitcoms. I had a nest egg.
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When you're doing any event on an elite level, you're in tune with your body.
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The story of Bennet Omalu is a riveting story; it's just a riveting tale. I knew from the beginning if I stayed close to that kind of storytelling and focussed on the character, then the other stuff comes along with it, and the message becomes baked into the journey.
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O Jesus! Remember the sadness that Thou didst experience when, contemplating in the light of Thy divinity the predestination of those who would be saved by the merits of Thy sacred passion, thou didst see at the same time the great multitude of reprobates who would be damned for their sins, and Thou didst complain bitterly of those hopeless, lost, and unfortunate sinners.
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Every adaptation requires that the screenwriter make difficult choices - and in particular, difficult cuts.
