Bill Hader Quotes
Quotes to Explore
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We shred every day.
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2009 was crazy enough! I can't believe I worked with Jeremy Irons, Joan Allen, Marsha Mason, Catherine Zeta-Jones and Angela Lansbury, Jack O'Brien and Trevor Nunn in the same 12 months.
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Cutting one side of your head for a few months is not a big deal compared with what other people have to deal with in the world. Plus, hair grows back.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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It's important for me to think I'm mixed-race.
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Back in the '70s - I remember the '70s: we were told there was global cooling. And everyone was told global cooling was a really big problem. And then that faded.
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My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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When I was writing my dissertation, I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification.
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I'm all for being in love and whenever I like someone, I end up pretty much completely smitten.
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I don't think being an athlete is unfeminine. I think of it as a kind of grace.
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I realized, at a certain point, all my big people were dying. I couldn't see a clearer picture: what's the difference between me and him, of me being in a casket?
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Sometimes I still go round the house making weird noises and stuff, so in that aspect, I haven't grown up!
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It took a lot of blood, sweat and tears to get to where we are today, but we have just begun. Today we begin in earnest the work of making sure that the world we leave our children is just a little bit better than the one we inhabit today.
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Nobody is faster than me.
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Michael Jackson and I talk all the time. I think we understand each other in a way that most people can't understand either of us.
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The common thread in all my projects is 'girls being awesome.' Can we make that a genre?
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All my books reflect travel adventures of some kind, and all have a soul: a spiritual or mystical underpinning.
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When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.
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Comedy lives on in the web and TV, but nobody's pressing comedy albums anymore.
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The smallest atom of truth represents some man's bitter toil and agony; for every ponderable chunk of it there is a brave truth-seeker's grave upon some lonely ash-dump and a soul roasting in hell.
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My gift seems to be that I am able to tell a story in a comprehensible and engaging way.
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Well-being changes as we move through life, which is why a child's version of it cannot be the same as an old person's.
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It makes no difference to me what kind of bat I have. For instance, I often grab the first bat I come across when I go up to the plate. Muggsy McGraw uses a light stick and Jake Stenzel uses a heavy one, but I'm liable to take any one of the miscellaneous lot that falls in my way.
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I don't like the sound of my voice or how I look or anything.
