Bill Hader Quotes
Quotes to Explore
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We shred every day.
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2009 was crazy enough! I can't believe I worked with Jeremy Irons, Joan Allen, Marsha Mason, Catherine Zeta-Jones and Angela Lansbury, Jack O'Brien and Trevor Nunn in the same 12 months.
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Cutting one side of your head for a few months is not a big deal compared with what other people have to deal with in the world. Plus, hair grows back.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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It's important for me to think I'm mixed-race.
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Back in the '70s - I remember the '70s: we were told there was global cooling. And everyone was told global cooling was a really big problem. And then that faded.
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My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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When I was writing my dissertation, I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification.
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I'm all for being in love and whenever I like someone, I end up pretty much completely smitten.
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I don't think being an athlete is unfeminine. I think of it as a kind of grace.
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I realized, at a certain point, all my big people were dying. I couldn't see a clearer picture: what's the difference between me and him, of me being in a casket?
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Sometimes I still go round the house making weird noises and stuff, so in that aspect, I haven't grown up!
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It took a lot of blood, sweat and tears to get to where we are today, but we have just begun. Today we begin in earnest the work of making sure that the world we leave our children is just a little bit better than the one we inhabit today.
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Nobody is faster than me.
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Michael Jackson and I talk all the time. I think we understand each other in a way that most people can't understand either of us.
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The common thread in all my projects is 'girls being awesome.' Can we make that a genre?
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All my books reflect travel adventures of some kind, and all have a soul: a spiritual or mystical underpinning.
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When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.
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Most countries in Africa have the capacity to be great agricultural producers, but they do only subsistence production. So a family will produce for themselves and nothing more. Why? Because of the systems: The markets are not there to go beyond.
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If I was to direct Ron Howard, I guarantee you, I would put him through a living hell every day. I would demand so much of him. We wouldn't quit until he leaves the set crying. Weeping! Spent!
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It's pretty hard to make out what's going to be a commercial success and what's not.
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I don't collect any memorabilia. I wish I'd have kept everything I had. But who knew you had to keep it. Just gave it away. And we lost so much and we didn't look after a lot of it. I believe Paul's got everything he ever had, but I lost a lot of mine.
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My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist.
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I don't like the sound of my voice or how I look or anything.
