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If we can inspire a kid to pick up a guitar - and less and less kids are doing so these days - it'd be really cool because I know how it felt growing up and how special that was for me.
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People think this is a competition between bands, when the reality is the more successful bands the better.
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I think one of the biggest sleepers that people are going to be able to dig into later is 'Fermi Paradox,' it's the song before 'Exist.' To me it's got the coolest, it's just so bizarre because it's got one of the most melodic vocal melodies, but we put it over a black metal blast beats.
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The world is changing, and the way we consume music is obviously changing. I was one of the biggest CD advocates you will find, but when Apple music and digital options came out, like for everyone else, it was more conducive to my lifestyle.
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'This Means War' is up there with 'Hail to the King' in terms of crowd reaction and kids chanting for it.
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It's important to know the ins and outs of the music business, but you can also dive too deeply into it and forget that you're really here to make music.
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I've said the Grammys messed up metal because it's not on TV. What I'm saying is when you're in a metal category, it's not televised, and it doesn't move the needle forward for metal artists, and I wish they had more respect for the genre.
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One thing that was frustrating to us, always, was having to do so much press building up an album, and you're asked so many questions about, you know, is it more melodic, is it heavier, are you doing your old stuff, is it new?
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I think the cool thing about being alive in 2017 is that you can literally put out music as soon and as frequently as you want to because of streaming services.
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One thing I loved when I was growing up, you maybe saw one review from a magazine like 'Rolling Stone,' but now there are 150 reviews before an album even comes out. There are so many opinions out there, but the only one that really matters is your own.
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We're trying to change the whole way our merch is viewed, in terms of just not a bunch of skulls interlaced; you know, every album can look the same, so they're going to be stylized and different.
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I go online, and I love watching heavy metal bands and guitar players play heavy metal versions of the 'Zelda' theme, and people do all the 'Zelda' music, which is one of my favorite soundtracks.
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We live in the realm where all the metalheads and rock fans know us, but we're not giants like Linkin Park or Black Sabbath.
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We really like having songs where we think the arrangement is just as important as the melodies, even though they're typically not.
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Usually, when you're putting out a record, you have reviews from people a week before, and you have a vibe 'cause everyone's heard it - you've heard feedback from everyone, and they've listened to your single for a couple of months. Radio's playing it.
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I listen to a lot of Pink Floyd, the Doors, Elton John, Sabbath, Metallica, GN'R, Megadeth - just classic rock, classic metal stuff.
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Music and space collide for me, as I find them incredibly stimulating.
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Sometimes, I feel like my lyrics meander a little bit, and our songs are so big I need to write more words than are necessary.
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The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
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Everyone has an opinion, and everyone should be entitled to say whatever they want.
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We love the idea of putting out music in a non-conventional way.
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I went to this vocal coach, Ron Anderson, who has worked with Axl Rose and Chris Cornell, to train my voice and learn a whole new way of singing.
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If you make money, what's it worth if you can't be with your family?
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I've always been a really open person around my friends.
M. Shadows