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When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.
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People want things now. People in the rock world seem to not want to give it to them - they want to keep doing things the old way - and one thing that has always bummed me out is when we get a single three months out, and then you have to keep getting fed with bread crumbs.
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When I was very young, it was Guns N' Roses and Metallica. I'd play air guitar on my bed. They've been the thread throughout my life.
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We always want to do covers, but we found it kind of boring to do covers of bands in our genre, and we were always asked to do those.
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Unless someone physically tries to attack me, I don't care what anyone does.
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When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
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Someone sent me an article on AI that was written by Tim Urban on the website Wait but Why - that was kind of where I stuck my toes in the puddle, and I said, 'OK, I've gotta learn about this!' I felt like this is one of those things that our generation is going to have to answer for, eventually, and I just wanted to educate myself on it.
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When you look at metal, it's probably one of the healthiest genres when you look at it in a worldwide perspective - every single country listens to metal.
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We have this yearning to know the answers to the big questions about space and why we're here; we can't evolve fast enough to figure these answers out on our own, but we can do it through artificial intelligence. But there's also some very scary downsides that could come if we don't put the right safety precautions in there.
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I think Kanye West is brilliant at what he does: he's got a different live show, different merch for every tour, different vibes, and he just puts out great records.
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The reality is you either step into the future, or you become a dinosaur.
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We write music because we have to; it's a part of our very being.
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We're really excited to be even talked about in the same breath as Foo Fighters or Metallica.
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A lot of times, people just want to be more extreme than the next band or the next person, and that's all they focus on. That's kind of lost on me.
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No. 1 records are fine, but in 2016, they just don't mean as much any more - the currency has changed.
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We write when the time comes, and we try to be exciting, and stuff that excites us usually makes the record.
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I feel like our whole discography up through 'Hail to the King' was young, fun, and exciting. It was aggressively driven. 'The Stage' was the first step in the band becoming a more mature musical entity.
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We don't want to become like country artists where there's a formula.
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I got an email saying we were nominated for a Grammy, and I instantly thought it was a joke. So I started Googling the nominees, and there we were!
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Every once in a while, we can touch somebody's life in a way just by writing a melody or writing some music, which is always really special.
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Those who are not very good at understanding mental health issues are not going to know what other people are going through in depression. You have to kind of put yourself in somebody else's shoes.
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I've never made a comment on a message board in my life.
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For me, 'Far Beyond Driven' just had an oomph that kicked it over the edge and just pure aggression. And I always appreciated that.
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If people respect us as artists, they know we'll give them something different every time; they know we're pushing ourselves.