David Chalmers Quotes
Quotes to Explore
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Well, when you get into the business, what you have to realize is that signing autographs and getting 'bothered' is just part of the deal. It's not a bother to me at all. That's part of being an actor and that's something you have to realize before you ever get into this business.
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People are mean on social media, whoever you are. It's a shame people have to be that way.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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I'm very passionate about the use of sports in young people's lives to build self-esteem and self-discipline and self-confidence. It's been a big thing for me.
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I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.
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I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
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Startling, and alarming to many, is the conclusion that follows from these data that if all people were treated the same, most average race differences would not disappear.
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I used to always run off at the mouth and talk about people. I just didn't know that it would make a living for me.
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I want to play in as many theatres as possible, work with as many brilliant people as possible, but definitely do a new play.
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I told as much of my life as I could to encourage people: to encourage others to get to where they should be, where they want to be.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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What 'Deadwood' did was to talk about how capitalism started, how civilised society came in, and how that brought its own problems.
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Why don't we actually fight for a woman's right even to complain about being beaten up. That is more important than driving. If a woman is beaten, they are told to go back to their homes - their fathers, husbands, brothers - to be beaten up again and locked up in the house.
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I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
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I don't believe in just ordering people to do things. You have to sort of grab an oar and row with them.
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Individual warrants every day are used to arrest dangerous people.
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There's nothing worse than people who want to make you feel better when you are losing. I just want to smack them.
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'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.
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The only thing that happens when I'm teaching is that I hope there are some students out there in the class who will ask questions.
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The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
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My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
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No one knows who I am and no-one cares. I could jump in front of a camera man and he'd just tell me to get out of the way.
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People have managed to avert their eyes and hope for the best.
