David Cronenberg Quotes
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
Quotes to Explore
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I'm a good Muslim and I'm only interested in Islam.
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In Europe, we will work towards having a common stance, while in France, we will strengthen our protection for asylum seekers whose lives are in danger because of their sexual orientation.
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I think I tried to separate indoors and out. And so when he beat me indoors, I did not see that as letting anybody down, I saw it as a good head to head competition, and so it was. It was fine.
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If I hadn't spent many years trying to be as compassionate as Mother Teresa, as positive a thinker as W. Clement Stone, as prolific a writer as Stephen King, and as good a speaker as many of the legends I have studied, I would not be as successful as I am today.
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For me, men and women are different. A man is genetically gifted to pull more than a woman. But at the same time, I don't consider women to be any less than men. In fact, I feel we are far more intelligent than them.
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I love Rihanna. I think her style just pushes a lot of boundaries. My tomboy side takes inspiration from her.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
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Some things is made by destiny, yes, other things by hard work, but quality you don't learn. Quality you are born with.
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My time at Shell was a most valuable experience because it taught me to look at the world in a long-term way. Shell takes a 20-year view on events and plans for different scenarios. It makes you see the world as a kind of large matrix.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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In certain ways, we, many of us, stopped paying attention to the world. I have to think we would have moved on the whole climate issue in a different way if we'd been paying better attention.
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I wanted to be a forest ranger or a coal man. At a very early age, I knew I didn't want to do what my dad did, which was work in an office.
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It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.
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There is nothing deeper than to work for a year with the same artist.
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Anyone who says there isn't pressure to look good as an actor in L.A. is lying.
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I've always been aware of my health - when you are having to go on stage and perform, you need to be feeling good - but when I was diagnosed with a life-threatening illness, I became really, really conscious of my health.
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The NFL is such a large, multibillion dollar enterprise with fan loyalty because they have provided not only entertainment for sports fans, but memories, good memories, family memories to these fans, that can only bring about good will.
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Jess is not only a successful actress but also has a line of eco-friendly products called Honest that's become a million-dollar business. Jessica Alba an undercover businesswoman? That's my favorite kind of style - the kind with substance.
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I was a little boy with a patch over one eye, who sang and danced along the street. I had what’s called a lazy eye, so I had to wear the patch. You tend to be a prodded kind of kid when you look like that, but it makes you much stronger in the end.
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I would put my million dollars up as well.
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I think the most pressing issue in our community is probably a generational divide.
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For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
