David D. Burns Quotes
There is no standard 'therapeutic process,' since there are so many different schools of therapy.
Quotes to Explore
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The dinner table is a lively debate, and everybody weighs in in a different way. I like that, though.
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People go to restaurants for so many different reasons. To court a girl, to make some deal. Maybe to talk to some lawyer about how to get an alimony settlement better than they got last week.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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I would like to spend Christmas in different countries all over the world. I love seeing how different cultures celebrate the holidays in their own unique ways.
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Honor wears different coats to different eyes.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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Being exposed to different production environments in Korea, Japan and the U.S. was a great experience, and each system allows you to quench your thirst in a different way.
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I'm working on bridging the gap between mainstream famous and Internet famous. They're two different things, but eventually, social media will be the way to become a celebrity.
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I got tired of different drum sounds so you buy different effects for more manipulation.
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I believe we need more culturally diverse books - about disabled characters, though not about their disability, about people with different sexual orientations, or a boy who is a cross-dresser. We need to reflect the diversity of our society.
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I always wanted to do something completely different.
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Any quality player can adjust well to the different demands. It is like a good tennis player who is expected to adjust to the clay at the French Open, the grass at Wimbledon, the hard courts of the U.S. and the heat of the Australian Open. A professional is expected to do all that.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
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I have a lot of passion for a lot of different things.
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Each country its cost analysis is going to be different. So what we are you seeing in Syria, for example, is different than what's going on in Jordan. The maps are being rewritten.
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We did a different show every night. We'd open a show, and then two weeks later we'd open the next show. And two weeks later we'd open the third show until we had all eight running. And it was just one of the richest experiences I'd ever had in my theatrical life.
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Ever since 'Star Wars,' there was a rash of how a movie was made. I remember that as a kid. I never really understood how movies were made until that movie, because it was such a technical accomplishment. Since then, you've seen more and more and more, for all different kinds of films, about what goes into the process.
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I am very honored and excited to have 'Devotion' released as the first DVD Audio disc... surround sound is amazing... The music comes alive and is so vibrant - it's unlike anything you've ever heard before!
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It was good to launch the economy in the '50s. Japan did this; China did this; even South Korea did this. All the East Asians did this - import substitution. I think all countries followed import substitution in the '50s and in the '60s, but I think by the '70s, countries were getting out of that first phase of the strategy.
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I am constantly torn between the attitude of the conscientious journalist who is a recorder and interpreter of the facts and of the creative artist who often is necessarily at poetic odds with the literal facts.
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It is impossible for capitalists and laborers to have common interests.
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There is no standard 'therapeutic process,' since there are so many different schools of therapy.
