David Duchovny Quotes
If you have Darwin, Christ and Nietzsche, they're all going to talk at once. You need somebody who listens.
Quotes to Explore
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Africa has no future.
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I was always a real athletic kid. Then when I got older, I just figured it was part of life to keep training.
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I was informed... that some... were dreaming and wished to return.
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Hungary will stop at nothing when it comes to protecting its citizens.
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My parents were divorced and I would spend weekends with my father.
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But it required a disastrous, internecine war to bring this question of human freedom to a crisis, and the process of striking the shackles from the slave was accomplished in a single hour.
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I've always loved fashion.
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I happen to believe that there is an afterlife.
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I'm not in favor of any discrimination of any form.
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There are two factors in American politics that may seem strange to Europeans: race and religion.
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I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?
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I'm not like one of those actors who's a frustrated director.
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I've always thought I was talented.
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L.A. has always had a ton of creative business people, but tech has always been trumped by Hollywood. Now Hollywood is realizing it needs to be smarter in tech. Hollywood is finally crossing over, and it's really going to charge L.A. to be the next tech center.
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Iraq has the most extensive petrochemical industry in the Middle East and a wealth of vaccine factories, single-cell protein research labs, medical and veterinary manufacturing centers and water treatment plants.
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I think La Liga is the best league in the world.
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Folks in Alabama seem like folks in Georgia to me. I feel like you can just about combine the two.
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I think I'm a story-based artiste. So I would opt for the performance-oriented role. I usually go by intuition while choosing a script. Also, I do not analyse my performance, nor do I bother about how my film has been performing at the box office. I personally love challenges and am game for taking up things which I haven't attempted before.
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The trouble with fiction… is that it makes too much sense. Reality never makes sense.
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To work is nothing; the king on his throne, the priest kneeling before the Holy Altar, all people in all places had to work, but no person at all need be a servant.
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I love dialogue, but I'm also terrified of it. In all my movies, I've done my best to cut out as much dialogue as possible. I love the spaces in those silences. Even in 'Pete's Dragon,' I was so happy that the first twenty minutes have about five or six lines of dialogue.
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Mr. Bergman had a great imagination and saw the possibilities within every one of his actors, and he gave us great challenges. It was very inspiring.
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If you have Darwin, Christ and Nietzsche, they're all going to talk at once. You need somebody who listens.
