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I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.
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People in Italy seem to be very capable of singing along with 'Wish You Were Here' perfectly, yet it's hard to get someone in the street who speaks english.
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Everyone goes to rotten schools when they're kids, don't they?
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Tired of lying in the sunshine, staying home to watch the rain You are young and life is long, and there is time to kill today And then one day you find, ten years has got behind you No one told you where to run, you missed the starting gun.
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To be honest, I don't listen to groups, really. Hardly ever. I know I'm in one, but I don't like them very much.
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I like watching sports, you know, all sorts of stuff.
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For me, gradually over the years, you refined your tastes in the way you do things and it becomes maybe less experimental.
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I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.
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I don't, consciously anyways, sort of listen to things with the idea of getting something from them that I can use.
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You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
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I can't remember really what it's like to do it within Pink Floyd. In my mind, that's a thing of the past.
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I’m not interested in teaching books by women.
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It's really tough to get happy music going, you know?
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I don't want to be a full-time member of Pink Floyd all my life.
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I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.
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I don't live my life on the road. I'm getting on a bit and there's a lot of other things in my life. Our lovely children and their lives. It's more of a part-time business these days.
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I've sort of remarried a few years ago and have had a couple more children in the last couple of years. And so home life is taking up a lot of my time.
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Yes, there's a lot of the blues in my playing.
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Adrian Maben came to us with the idea. And we just thought, "Well, why not?" I don't think any of us thought it would be as well received and last in people's minds for as long as it did. All credit to him. It's his idea [Pink Floyd at Pompeii] and it was great.
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How much in life is determined, and how much is due to chance?
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If you are in a band or in any situation with other people there are obviously brilliant aspects to it, but there are also things that you start finding yourself tied to.
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Obviously record companies tend to be following what the scene is rather than making the scene.
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These days I don't look to other people with the objective of trying to steal their licks, although I've got no objections to stealing them if that seems like a good idea. I'm sure that I'm still influenced by Mark Knopfler and Eddie Van Halen as well......I can't play like Eddie Van Halen. I wish I could. I sat down to try some of those ideas and can't do it. I don't know if I could ever get any of that stuff together. Sometimes I think I should work at the guitar more.
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The only way artists can do things is to do it for themselves. Trying to second guess what the public wants or likes is kind of a fool's game.