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I don't know what you wanna describe as Rock 'n' Roll, but I certainly thought that 60s stuff, Bob Dylan and the Beatles, changed the world a little bit. But the effect seems to have retreated. I think it's harder than we think to change the world. These things go in cycles. It doesn't seem to have done an awful lot of good, does it? You know, all the talk of racial harmony and equality in the world... we haven't got a long way since the 60s.
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Little ideas can pop into one's head at any time, and if I'm being reasonably efficient I've got it close enough to hand, then I pop that little tiny moment of a few seconds down onto a tape and then I can forget about it for... years sometimes.
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It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
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You don't want to believe everything you hear.
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Subconsciously you just pick up things into your sort of musical vocabulary and use them.
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It's not whether God plays dice; it's how God plays dice.
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The future is deterministic in principle, but not in practice.
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Obviously, they're all a gang of idiots. But, you know... live and let live.
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There's no way out of here.
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I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.
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I'm an atheist, and I don't have any belief in an afterlife.
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I'm afraid I haven't become a born-again Christian. I'm sort of 'Church of England, lapsed' is about as far as I go.
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We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
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People being incredibly rude and playing music incredibly badly and being incredibly obnoxious has always been a teenage sort of thing.
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I am not a technophobe and I am using the latest technology today, some 30-odd years later, and I am really enjoying what some of the new technologies can offer. But at the same time I am always aware that one can get bogged down in that technology and that it can become more than just a method. That's something that you have to be slightly careful of.
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If you have a live reputation and your popularity is proven that way, then you're bound to get signed up because they see all those people buying those tickets and they think some of those people will buy those records, and that's what their business is primarily about.
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I went to a school in Cambridge, which I thought was completely rotten. Yes, hated it. Now they want me to go back there and support this, that, and the other and I haven't managed to pluck up the courage to even face it yet.
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I find it incredibly difficult to write anything that's really happy.
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We already had all the songs, and it turns out all you have to do is burn them to some CDs, so why not?
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Personally, I'm not very keen on the visualization of absolutely everything.
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Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.
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People in Italy seem to be very capable of singing along with 'Wish You Were Here' perfectly, yet it's hard to get someone in the street who speaks english.
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I have no interest in going on a tour to make money without making new product, new art.
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I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.