David Gilmour Quotes
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I find it incredibly difficult to write anything that's really happy.
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I tend to jot down music.
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I have no interest in going on a tour to make money without making new product, new art.
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It's not whether God plays dice; it's how God plays dice.
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I think a lot of things do influence me, but the influence mechanism is as such that these things dive into your brain and bury themselves into your subconscious and you're never quite sure where and how they're going to emerge. I don't think I really take direct influence.
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Subconsciously you just pick up things into your sort of musical vocabulary and use them.
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I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.
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Little ideas can pop into one's head at any time, and if I'm being reasonably efficient I've got it close enough to hand, then I pop that little tiny moment of a few seconds down onto a tape and then I can forget about it for... years sometimes.
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You don't want to believe everything you hear.
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There's no way out of here.
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I'm afraid I haven't become a born-again Christian. I'm sort of 'Church of England, lapsed' is about as far as I go.
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I tend to fly old airplanes and old sort of things that are nearly about as old as me. Biplanes and stuff like that.
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We already had all the songs, and it turns out all you have to do is burn them to some CDs, so why not?
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The future is deterministic in principle, but not in practice.
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Obviously, they're all a gang of idiots. But, you know... live and let live.
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People being incredibly rude and playing music incredibly badly and being incredibly obnoxious has always been a teenage sort of thing.
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Pompeii is an extraordinary place to be because it was preserved exactly as it was. There are many other sites. If you visit any other antiquity-type sites throughout the world, they're very damaged with what's gone on over the centuries since they were abandoned. But this one was just, like, sealed, so you're looking at rock surfaces and the carving of letters and names in the stones looks like it was done yesterday.
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I went to a school in Cambridge, which I thought was completely rotten. Yes, hated it. Now they want me to go back there and support this, that, and the other and I haven't managed to pluck up the courage to even face it yet.
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We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
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Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.
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If you have a live reputation and your popularity is proven that way, then you're bound to get signed up because they see all those people buying those tickets and they think some of those people will buy those records, and that's what their business is primarily about.
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I am not a technophobe and I am using the latest technology today, some 30-odd years later, and I am really enjoying what some of the new technologies can offer. But at the same time I am always aware that one can get bogged down in that technology and that it can become more than just a method. That's something that you have to be slightly careful of.
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I think Atom Heart Mother was a good thing to have attempted, but I don't really think the attempt comes off that well.
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Personally, I'm not very keen on the visualization of absolutely everything.