Elizabeth Hand Quotes
I didn't read much SF as a kid - I was a total Tolkien geek - but I started reading Samuel Delany and Angela Carter and Ursula LeGuin in high school, and I was definitely taken with the notion that here was a literature that could explore various notions of gender identity and how it affects the culture at large.

Quotes to Explore
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I love being the mayor. I want to be the mayor forever.
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I do always have a wall up. But I feel by doing it, I keep myself safe.
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Missing from much of the public debate is discussion of the simple fact that lurking behind every terroristic act is a specific political antecedent. That does not justify either the perpetrator or his political cause. Nonetheless, the fact is that almost all terrorist activity originates from some political conflict and is sustained by it as well.
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If your aim is to attack the United States, it is hard to imagine a more difficult way of getting here than by posing as a refugee.
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I love to beatbox and have been doing it before I even knew what it was.
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I always wanted to be an actress. And it wasn't ego. I felt so little about myself, considered myself such a sparrow. Not just my size. I thought I was so plain... I did plays not to show off but because if I did that - I didn't realize it at the time - I would be somebody other than this person I didn't really approve of.
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One of the most tragic things I know about human nature is that all of us tend to put off living. We are all dreaming of some magical rose garden over the horizon instead of enjoying the roses that are blooming outside our windows today.
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There is something magical in seeing what you can do, what texture and tone and colour you can produce merely with a pen point and a bottle of ink.
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A man builds a house in England with the expectation of living in it and leaving it to his children; we shed our houses in America as easily as a snail does his shell.
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I'm definitely not a super great guitarist. Ultimately, I just write a lot of love songs.
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Every generation is obsessed with the decade before they were born.
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For the doubters out there, of course I was going to have help from Penguin's editorial team in telling my story, which I talked about from the beginning.
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Common Core isn't a test, but for some people it is, because they don't like the testing piece of it.
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The emotive power of hummus all over the Middle East cannot be overstated, being the focus of some serious tribal rivalries.
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I am a very reserved person and have very few friends in the industry, while most of my close ones are from school and college.
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There's a system in place in Nashville, and for a long time, I was trapped in this idea that the only way to do it was to come to town, get a record deal, and do it the way they say. And that system works. But it caters to a specific kind of artist, and I didn't necessarily fit that mold.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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For a young player like me, it is good to play for a club that can get to the semi – finals because one of the reasons I play football is for these big games.
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One of the difficulties you run into is that acting and celebrity are so closely intertwined. People make careers out of being charismatic personalities. It's one of those things that people have come to expect from actors. Personalities that don't change from role to role. I don't want it that way.
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If you're going to play hockey now, you have to be able to play. If you have the ability to fight and play, you're an unbelievable commodity. But if you can only fight, there might be six of those guys left in the league, and I can guarantee they're going fast.
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I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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Where every moment is about truth and I think it's a great challenge every night. That's what really drove me to wanting to do theatre, and it's great.
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I don't believe in trickle-down economics. I don't think that people who have the most are inclined to share it, generally.
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I didn't read much SF as a kid - I was a total Tolkien geek - but I started reading Samuel Delany and Angela Carter and Ursula LeGuin in high school, and I was definitely taken with the notion that here was a literature that could explore various notions of gender identity and how it affects the culture at large.