Elizabeth Marvel Quotes
I see artists as the first responders. And when the proverbial crap hits the fan, we are there to be of service, to tell the story, to bring a balm, to soothe, to provide catharsis. You know, not to make our work any more important or less important, but just that there is a great importance to it.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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Never fear to deliberately walk through dark places, for that is how you reach the light on the other side.
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I have an inner satisfaction of having done what I thought was right at the time which I thought was propitious.
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One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.
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I never want to make a complete, 180 reactional record. I wanted a connection to what I've done in the past but still move forward and evolve.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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Violence would be a huge gift to those who want a divided Lebanon.
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When the news is good, the BBC view is: 'Get the government out of the picture quickly, don't allow them to say anything about it.' When the news is bad: 'Let's all dump on the government.'
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At present there is no distinction among the upper ten thousand of the city.
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I'm thrilled to be joining Gap Inc., a company that understands the importance of integrating technology and retail in ways that improve the lives of its customers.
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I didn't realize that winning the Olympics at age 14 automatically put me in the category of being a celebrity.
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Parents are the last people on earth who ought to have children.
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My candle burns at both ends; it will not last the night; but ah, my foes, and oh, my friends - it gives a lovely light!
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Now that I'm gone, I tell you, don't smoke.
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I guess there are all these women with a big secret - they're hiding men they are ashamed of. They come up to me and say: 'I've been dating this guy for six months in secret but none of my friends know. I can't give him up even though he's embarrassing.'
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I like to play the weirdos. I like to play the people that are hard to like. You get to say and do things that you would never say and do in real life.
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It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
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I used to play the trombone and the trumpet, which I still have, but I haven't picked up for a long time.
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What happens is that your wretched memory remembers the words and forgets what's behind them.
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I don't agree with beauty contests. I did it one time. It wasn't embarrassing being Wonder Woman; it was embarrassing walking around on stage in a bikini. It was ridiculous, stupid, and humiliating.
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I think when you work alone - the way I do it, anyway - you could sort of liken it to painting, where there's sort of a one-on-one with the canvas.
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'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.
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I see artists as the first responders. And when the proverbial crap hits the fan, we are there to be of service, to tell the story, to bring a balm, to soothe, to provide catharsis. You know, not to make our work any more important or less important, but just that there is a great importance to it.
