Elizabeth Olsen Quotes
Quotes to Explore
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I've been making some more electronic music, which I really enjoy doing.
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You know, bigotry isn't relevant to just the South. It never was. But I'm very grateful that I don't know what it's like from experience.
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I had no interest in sports so I didn't make friends in that traditional way where kids are in public school and they go and they join clubs, and play sports. So I kind of had to find my own way to make friends and get attention and so I just was the class clown.
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Getting money is not all a man's business: to cultivate kindness is a valuable part of the business of life.
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I've been booed on stages. I'm a little bit tougher than to walk off a stage because someone says something ugly.
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Fame often makes a writer vain, but seldom makes him proud.
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Relationships based on obligation lack dignity.
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Governments have monopolies on certain things, like eminent domain and deadly force.
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The only way to become authentically powerful is to create authentic power. You cannot wish, want, or command authentic power into your life, although you can try.
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Men are my bread and butter. It's what I live for! I have no shame about that.
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Everyone should just be exactly who they are.
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Quarterbacks are always ready.
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Hamm: What's he doing?(CLOV raises lid of NAGG's bin, stoops, looks into it. Pause.)Clov: He's crying.(He closes lid, straightens up)Hamm: Then he's living.
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With me as the glaring exception, my father molded the world around him to his liking. The problem, of course, was that Baba saw the world in black and white. And he got to decide what was black and what was white. You can't love a person who lives that way without fearing him too. Maybe even hating him a little.
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I do not believe that science per se is an adequate source of happiness, nor do I think that my own scientific outlook has contributed very greatly to my own happiness, which I attribute to defecating twice a day with unfailing regularity.
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What we do is to bring words back from their metaphysical to their everyday use.
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We live in a gray world, and I want to tell gray stories.
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I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels.
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The first proper mystery novel that I read was 'Murder On the Orient Express' with a gaunt David Niven and a cherubic Peter Ustinov on the cover. 'Orient Express,' you'll recall, is the one where everyone did it, which delighted me no end, and I was immediately hooked.
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I'm enough of an anarchist aesthetically, when it comes to art - I want people to be reading my stuff voluntarily. They should be doing it because they want to.
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No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.
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But as an amateur, the highest level you can box at is the Olympics. I did that at 18 and felt it was time to move on to other challenges as a professional.
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'Gillespie and I' is a deliciously morbid, almost smutty story, a compendium of inappropriate wants and smarmy desires.
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I really actually enjoy auditioning.
