Elizabeth Taylor Quotes
Quotes to Explore
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The American people deserve a budget that invests in the future, protects the most vulnerable among us and helps to create jobs and economic security.
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It's a luxury to not have to just be performing with other people to have my music heard.
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If you get labeled a winner, people come along for the ride. Might as well enjoy it and they should too.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I know there are some actors who are just brilliant at improvising and brilliant at just being in the moment and doing it there and then. I'm not one of those actors.
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I wake up every morning knowing how ridiculously lucky I am to be able to do what I love for a living, and that sense of wonder never, ever wears off.
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The truth is everybody does it from time to time. People dial telephone numbers and they get a wrong number only to find that they've read the last two digits backwards. Everybody does it, but dyslexics have this tendency to a higher degree.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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Just for you to know, people, models, are very smart. We're investing money in the right way, and, you know, a modeling job I'm taking as a businesswoman. So it's not fun for me; it's work.
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The thing about being an artist today is you get to develop right in front of people's eyes before you even put out an album.
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I worked in Licorice Pizza when John Lennon was killed. I had the day off, but I came in anyway because people needed a place to mourn.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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The thing I learned from 'Pride and Glory' is that people like to feel a little better leaving the theater than they did coming in.
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All these police treating our people wrong, man. Black lives matter, but we got fans of all different colors, so all lives matter.
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I don't attempt to make people uncomfortable; I think that my standards in terms of art and journalism always have necessitated my discomfort.
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Shoot, there's a committee to tell you everything at a record label. You definitely have to know who you are if you want to look like you at the end of the process. We've all seen people get record contracts, and by the time they're spit out by the machine, we don't even recognize them.
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I know it really sounds cheesy, but I did feel a duty to try to tell the stories of people who couldn't speak for themselves.
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I wrote a great deal about the Civil Rights Movement when I was writing for 'The Nation' in the '60s, and also for Esquire magazine. Reading the biography of Coffin, it just reminded me that in those days, when you saw the term 'Christian,' it usually meant people for civil rights and for justice.
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When I was young, people didn't even really know what a producer was.
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I just want the money and the fame and the adoration, and I don't want any of the other stuff.
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My mom dressed me in silk to go to elementary school. In kindergarten, they sent me home because I couldn't do finger painting in my dress.
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I just wanted to go to New York and be on Broadway, but then I was accepted by Juilliard, where they trained me in classical voice. It was great in the end, but at the time, I thought, 'What am I doing here? This is not my path.' But it was absolutely my path and where I was meant to be.
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I love musicals and I love Broadway.
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People who know me well, call me Elizabeth. I dislike Liz.
