Mark Rylance Quotes
I learnt so much wit, really, from the Globe audiences. If you can make a circle, even in a proscenium theater, if you can get a circular energy going, so that all these people are involved with it and present, then there is something curious that happens with the imagination.

Quotes to Explore
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The American people deserve a budget that invests in the future, protects the most vulnerable among us and helps to create jobs and economic security.
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Even when something sad or tragic happens, I find a way to look at it in a positive light. People who don't have a sense of humor must be so sad all the time.
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When you are young you take the kindness people show you as your right.
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I may be helping to bring harmony between people through my music.
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I have no regrets. I wouldn't have lived my life the way I did if I was going to worry about what people were going to say.
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The atom bomb is a paper tiger which the United States reactionaries use to scare people. It looks terrible, but in fact it isn't.
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A crime is like a crack in reality, and it is the author's role to explore those cracks. As a writer, I like to see how they impinge on people.
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Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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Some people say I have attitude - maybe I do... but I think you have to. You have to believe in yourself when no one else does - that makes you a winner right there.
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I was watching TV and saw people with masks, weapons, and grenades. I thought, Is that really possible? Could we be here yet again? And go into civil war one more time?
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One of the things about my ministry is that I have never branded myself as being above the people or superior to people.
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It's such a joy to talk to a roomful of people who have read my novel and are eager to talk about it.
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The reality is the world is a really, really big place, and there's a lot of people running around with a lot on their mind. And you really have to figure out how to build a company that can put on a message that can actually reach people and have an impact globally.
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The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd Skynyrd and ZZ Top or Merle Haggard.
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The same way that some people can play the piano, I can do plots! They just come!
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I want everyone in the Republican party who opposed me to know this: you are welcome to join this people's crusade. Come aboard. You are both welcome and needed. If we unite, we'll win - and we'll rebuild New York.
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The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
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In order to judge of the form to be given to this institution, it will be proper to take a view of the ends to be served by it. These were, - first, to protect the people against their rulers, secondly, to protect the people against the transient impressions into which they themselves might be led.
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Most philanthropists want to be effective altruists. But the problem isn't intention: it's measurement. Unlike financial investing, which has reporting standards, audit processes, and educational requirements, social investing is notoriously tricky to evaluate.
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There is something human about the way people react to and identify with suffering. There's a lot more empathy in the world than we perhaps realize.
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I learnt so much wit, really, from the Globe audiences. If you can make a circle, even in a proscenium theater, if you can get a circular energy going, so that all these people are involved with it and present, then there is something curious that happens with the imagination.