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I'm a nut for these 'crime reality' shows. Things like 'Forensic Files,' 'Forensic Detectives.'
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Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.
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I didn't go abroad until quite late. A friend drove us to Amalfi, Italy, for his sister's wedding when I was a teenager. It was exciting driving through Europe.
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I'm the only member of my family who dared to move away from Birmingham - my brothers and sister are still here, along with my mom.
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We all have insecurities, but some of us are better at covering them up.
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Everyone wants to be James Bond, and there's a queue of guys ahead of me - but I will throw my hat into the ring. Bond is such an iconic role, you would have to seriously think how to approach it.
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I grew up in an environment in Birmingham that was really multicultural, with black kids, Irish kids, Indian kids.
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I always get this feeling on my last day of work that I'm never going to work again.
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On the red carpet, one tip is to suck in your cheekbones - apparently it looks better on camera. I don't know, though; I think a nice smile is best.
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I love New York. New York is busy. It's dirty. It's smelly. I'm a real urban animal: I love cities. I like being in the middle of it all.
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You have to have a certain single-mindedness if you want to reach the top of the profession, and I'm not sure if I've got that cold-eyed egomania that perhaps is needed to get to the top. So as long as I can keep paying the mortgage and keep myself interested, I'll be happy.
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I've been on 'Mastermind' - I tied for first place and then lost on the number of passes. My subject was the 'His Dark Materials' trilogy by Philip Pullman. If I did it again, I'd choose Shakespearian tragedies.
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We don't like talking about race in the U.K. - it's a very sensitive subject. People get extremely defensive and run for the covers, but I believe we have to talk about it.
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I've been acting for 27 years, and anonymity has always been a part of what I do. Of course you get recognised every now and again, but 'Homeland' pushed me into a completely different strata, and that took me by surprise.
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I remember when I first came to Los Angeles being staggered by the range of roles open to me. These were leading parts in shiny new projects, and what always excited me was knowing there was a possibility that I could actually get these parts. I always had the impression that I had a chance.
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There was the 'Cosby Show' in America in the 1980s, which was a doctor in a beautiful Brownstone middle-class house. We just haven't created a role like that in the U.K.; it's always gangs and crime. We need to be brave.
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Everyone in America thinks I'm American - and everyone in England seems to think I'm American.
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American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.
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Birmingham people are the salt of the earth, and I've carried that with me all around the world. People respond to a certain down-to-earthness that I have, and that's purely as a result of coming from Birmingham.
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When I was sent the script for 'Homeland,' I didn't think anything of it. Three months later, my manager rang and said: 'They are interested in you.' I read it and I realised, 'Yes, I do want this.' Then I got an email saying I'd got it.
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I've done so much different stuff, people kinda go, 'Do you live in Islington?' 'Did you used to go to so and so school?' And when I say I'm an actor, they don't believe me!
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I like America; I enjoy being there. Some people can't stand the insincerity - I love the waiter asking me how my day has been, the can-do culture there. I love the fact that again, you are visible in America. You turn the TV on, there are black politicians, black policemen, black soldiers.
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I remember coming back to the U.K. after spending five months in Charlotte for 'Homeland,' and I just found myself just wandering around London. There's nothing like it - the buildings, the architecture, the sense of history, the sense of culture - there really is nothing like it.
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It would be extraordinary if the BBC were to make me the first black 'Doctor Who;' it would be extraordinary.