David Heyman Quotes
I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.
Quotes to Explore
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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Islam is unusual in that it's the only one of the great world religions which was born inside recorded history. That there's an enormous amount of factual historical record about the life of a prophet and about social conditions in Arabia at that time. So it's possible to look at the origin of Islam in a scholarly way.
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Many of the songs on Undertow were written at the time Opiate came out.
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Of course I want to look well and fit - and as an athlete, I want to look strong.
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When you're writing a story in bits and pieces, month in and month out, there really isn't time or space for reflection, no room to learn what those scripts had to teach you.
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My motivation is tomorrow, just one day at a time, right?
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I don't want to miss out on the chance of having a good time.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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It's a hard thing to imagine how somebody copes with grief and at the same time has to build a new life.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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There have been periods of my career that I haven't worked for a really long time, like seven or eight months.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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Yes, the companionship is amazing. You know, you can get that physical attraction that happens is great, but then there's an awful lot of time and the rest of the day that you have to fill.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
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I live in Canada in the summer and some time in the fall.
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When I graduated from Parsons School of Design, the dean at that time said I would never be a designer. Obviously I didn't listen.
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High school isn't necessarily the best time of your life.
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Music for me has always been something that is directly connected to my heart.
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Although meaningless in a tribal context, numbers and statistics assume mythic and magical qualities of infallibility in literate societies. (p. 114)
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Down on the ground, we seem to do anything but make lengthy, robust monologues. We can communicate in an instant almost anywhere. Gone is the slow old letter - itself a monologue, a sort of considered performance of best self - and in its place is the e-mail, the text, the SMS, the tweet.
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I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.
