Mark Steyn Quotes
Quotes to Explore
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Gut feeling is all about the experiences that you have had in your life. It is about being in difficult scenarios, knowing what worked, what did not work, and then taking a decision.
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I do a movie once every four years and they call it a comeback.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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I went to high school in Los Angeles, and I grew up riding horses, so that was kind of my life. I always wanted to act.
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I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas.
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Any time you have an injury, it's going to be tough.
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Information of fundamental importance to the general problem of atomic structure has resulted from systematic studies of the cosmic radiation carried out by the Wilson cloud-chamber method.
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Cooking and eating at home is made even better by the fact that you don't have to worry about driving after a couple of bottles of very nice wine. For me that's the ideal combination: working hard and enjoying the fruits of your labour.
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'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
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You don't have to have a great voice to sing, just a distinctive one. But make sure you say the words clearly and tell a story.
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I will say that rowing in the first Olympics was probably one of the most proud moments in my life. What I enjoy about the sport is that it's definitive. Nobody can take away from the fact that you're an Olympian. It's indisputable. You get there on merit and merit alone.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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I think there's nothing that can drive you more than a huge dream or a huge challenge.
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I just feel like growing up in Los Angeles, you learn, 'Well you're never gonna be the prettiest girl in the room, so just don't even try.' I mean, I care about being pretty, but it's not my most valued thing.
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We all have hourglass figures; your sand just settles in different places.
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I always wrote about things that were important to me. I think our past success showed that it was also important for a lot of others.
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In the United States, oil demand is projected to grow by 340,000 barrels per day this year and gasoline demand is projected to grow nearly two percent, averaging 9.3 million barrels per day for the summer.
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At 39, I was back in a Red Wings uniform and loving it.
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When one compares the talents one has with those of a Leibniz, one is tempted to throw away one's books and go die quietly in the dark of some forgotten corner.
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Invitat culpam qui peccatum praeterit
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The more I work with the body, keeping my assumptions in a temporary state of reservation, the more I appreciate and sympathize with a given disease. The body no longer appears as a sick or irrational demon, but as a process with its own inner logic and wisdom.
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Widows tend either to fade away when husbands die, committing emotional suttee, or else find that a new life burgeons. Here in Christchurch, a lot of burgeoning goes on.
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Even American artists are terrorized by market forces. If one can't see the films, my wings are clipped. I am no longer concerned about this, because I'm focused on making films. Perhaps one day someone who discovers sunken treasures will reexamine my 35 or 36 films - I hope it will be 40 or 50 before I die.
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But a society that has nothing to die for has nothing to live for . . .
