David Josiah Brewer Quotes
The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.
Quotes to Explore
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Yes, there is plenty of hard work for them in addition to that which they do when they appear, smiling and happy, when the curtain goes up. Giving a performance is the least of their worries.
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But the weakness comes from these Westernised co-opted Muslim leaders who just want to look good in the eyes of the West and Western media.
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I love to beatbox and have been doing it before I even knew what it was.
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I can't take the theater side out of myself.
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My biggest ambition over everything is to have kids. It feels great. I'd love a big family.
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Comedians paint ourselves into corners all the time, and tastes in comedy change. The guy in 'The Hangover' was a really fun character to do, and it was easy to do. But you have to find other things because audiences will let you do that for a little bit, and then they're like, 'What else do you have for us, monkey?'
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I come from a generation that suffered school lessons in portacabins and crumbling hospitals. I tell you one thing, for the eighteen years they were in power the Tories did nothing to fix the roof when the sun was shining.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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I've performed Schoenberg's 'Pierrot lunaire' many times.
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I continue to be very shy. I think a lot of actors and performers are really weird, shy people working it out onstage. I don't know why that is.
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If I could gain 1,000 pounds and be healthy, I would love to do that.
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Only a few good leaders have paused to reflect seriously on being leaders.
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Pregnancy is something that I always love. It's about hope and the future and a new baby.
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Every non-Marxist economic theory that treats human and non-human productive inputs as interchangeable assumes that the dehumanisation of human labour is complete. But if it could ever be completed, the result would be the end of capitalism as a system capable of creating and distributing value.
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It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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The best thing about giving of ourselves is that what we get is always better than what we give. The reaction is greater than the action.
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I live for the text. It's my job.
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When fringe groups gather, there is power in that.
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Acting and philanthropy are braided together. I've tried to seek out things that speak not just specifically to the community that created me, but that speak in a way that's universal and all of humanity celebrates.
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'Lovelace' was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can't get no better than that, right?
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Rath trained really well today so he's going to be right to go this weekend. He's had some x-rays that have cleared his chest of any serious infection so he'll be available for selection.
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The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.
