David Josiah Brewer Quotes
The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.
Quotes to Explore
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Yes, there is plenty of hard work for them in addition to that which they do when they appear, smiling and happy, when the curtain goes up. Giving a performance is the least of their worries.
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Hip-hop is rich in musical allusion. It takes something that already existed, respects it, and reuses it.
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But the weakness comes from these Westernised co-opted Muslim leaders who just want to look good in the eyes of the West and Western media.
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I love to beatbox and have been doing it before I even knew what it was.
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I can't take the theater side out of myself.
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My biggest ambition over everything is to have kids. It feels great. I'd love a big family.
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Comedians paint ourselves into corners all the time, and tastes in comedy change. The guy in 'The Hangover' was a really fun character to do, and it was easy to do. But you have to find other things because audiences will let you do that for a little bit, and then they're like, 'What else do you have for us, monkey?'
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I come from a generation that suffered school lessons in portacabins and crumbling hospitals. I tell you one thing, for the eighteen years they were in power the Tories did nothing to fix the roof when the sun was shining.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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I've performed Schoenberg's 'Pierrot lunaire' many times.
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I continue to be very shy. I think a lot of actors and performers are really weird, shy people working it out onstage. I don't know why that is.
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If I could gain 1,000 pounds and be healthy, I would love to do that.
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Only a few good leaders have paused to reflect seriously on being leaders.
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Pregnancy is something that I always love. It's about hope and the future and a new baby.
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Every non-Marxist economic theory that treats human and non-human productive inputs as interchangeable assumes that the dehumanisation of human labour is complete. But if it could ever be completed, the result would be the end of capitalism as a system capable of creating and distributing value.
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It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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The best thing about giving of ourselves is that what we get is always better than what we give. The reaction is greater than the action.
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Not only does democracy make every man forget his ancestors, but also clouds their view of their descendants and isolates them from their contemporaries. Each man is for ever thrown back on himself alone, and there is danger that he may be shut up in the solitude of his own heart.
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In my reporting, I've found that real change escapes many change-makers because powerful illusions guide their projects.
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A squirrel dying in front of your house may be more relevant to your interests right now than people dying in Africa.
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Every day, somebody has a song they want you to hear, and you're stupid if you don't listen to it because you never know what you may find.
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The issues involved are sufficiently important that courses are now moving out of the philosophy departments and into mainstream computer science. And they affect everyone. Many of the students attracted to these courses are not technology majors, and many of the topics we discuss relate to ethical challenges that transcend the computer world.
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The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.
