David Josiah Brewer Quotes
The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.
Quotes to Explore
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Yes, there is plenty of hard work for them in addition to that which they do when they appear, smiling and happy, when the curtain goes up. Giving a performance is the least of their worries.
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Hip-hop is rich in musical allusion. It takes something that already existed, respects it, and reuses it.
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But the weakness comes from these Westernised co-opted Muslim leaders who just want to look good in the eyes of the West and Western media.
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I love to beatbox and have been doing it before I even knew what it was.
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I can't take the theater side out of myself.
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My biggest ambition over everything is to have kids. It feels great. I'd love a big family.
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Comedians paint ourselves into corners all the time, and tastes in comedy change. The guy in 'The Hangover' was a really fun character to do, and it was easy to do. But you have to find other things because audiences will let you do that for a little bit, and then they're like, 'What else do you have for us, monkey?'
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I come from a generation that suffered school lessons in portacabins and crumbling hospitals. I tell you one thing, for the eighteen years they were in power the Tories did nothing to fix the roof when the sun was shining.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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I've performed Schoenberg's 'Pierrot lunaire' many times.
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I continue to be very shy. I think a lot of actors and performers are really weird, shy people working it out onstage. I don't know why that is.
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If I could gain 1,000 pounds and be healthy, I would love to do that.
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Only a few good leaders have paused to reflect seriously on being leaders.
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Pregnancy is something that I always love. It's about hope and the future and a new baby.
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Every non-Marxist economic theory that treats human and non-human productive inputs as interchangeable assumes that the dehumanisation of human labour is complete. But if it could ever be completed, the result would be the end of capitalism as a system capable of creating and distributing value.
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It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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The best thing about giving of ourselves is that what we get is always better than what we give. The reaction is greater than the action.
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Whenever we had career day at elementary school, and we could dress up like what you wanted to be, when I got on stage, mine was playing major league baseball.
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It was very clear these people live with very real fear of emotional and physical harm, even now. Learning that they live in that world, that causes me to rethink and be more sensitive to some of the actions I do may have unintended consequences.
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New Orleans lives by the water and fights it, a sand castle set on a sponge nine feet below sea level, where people made music from heartache, named their drinks for hurricanes and joked that one day you'd be able to tour the city by gondola.
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From the moment of birth, when the Stone-Age baby confronts the twentieth-century mother, the baby is subjected to these forces of violence called love, as its father and mother and their parents and their parents before them, have been. These forces are mainly concerned with destroying most of its potential.
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A lot of people have said my movies are all the same. But I don't actually make an effort to have a style. I'm usually just thinking of what can we do to make it funnier or more interesting or just kind of refine it and it ends up like that.
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The phonograph and kinetoscope may some day seize and perpetuate all save the magnetic touch, but that weird, illusive, indefinable yet wonderfully real power by which the orator subdues may never be caught by science or preserved for the cruel dissecting knife of the critic.
