David Labrava Quotes
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
Quotes to Explore
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My first 'Tonight Show' was just one of those things - I mean this seriously - a cosmic, meant-to-be coming together of circumstance. You walk out there to do your first 'Tonight Show': Is the audience going to be hot? Are you going to be on fire? It's like an athlete: Are you going to have your moves at a peak?
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There is always the fear of failure, and if you struggle, you become nervous, and that's when the underdogs have an opportunity to create a surprise.
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I figure the faster I pedal, the faster I can retire.
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The lurking suspicion that something could be simplified is the world's richest source of rewarding challenges.
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I am insecure. If you ask me, everybody is.
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I don't like baseball movies. I like movies about moral courage and people who are indomitable and courageous and right.
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Someone once said that you can make the choice between getting old and getting creepy, and I think getting old is the way to go.
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It vexes me when they would constrain science by the authority of the Scriptures, and yet do not consider themselves bound to answer reason and experiment.
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Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
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You can lead a horse to water and you can even make it drink, but you can't make actresses wear what they don't want to wear.
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I'm a big fan of Elvis, man. I got 'Heartbreak Hotel' tattooed on my chest.
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I've never thought in terms of 'men do this' and 'women do that.'
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When you grow up starving, you cannot point with pride to a book you've just spent six hours reading. Picking cotton, sewing flour bags into clothes - those were the skills my father grew up appreciating.
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When you're in prison, the progress of the outside world doesn't necessarily translate inside prison walls. You don't have any rights; it just doesn't progress along the same timeline.
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Everyone in New York is very self-involved. They're focused on themselves. Like, walking down the street, people are just in their own zone.
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You can't meditate on walking or certain human habits. You concentrate too much on the way you walk, and you'll start walking pretty weird.
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Working in Tokyo has convinced me that, contrary to what people think, it is actually one of the world's most beautiful cities.
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I always look for my mistakes so I can correct them in the future.
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What I like about Broadway is that you are still entertaining. You're standing in front of an audience every night and the critics are not friends at all - and that's good for me as an entertainer because I want to grow. It also gives me the structure of remaining in one city so I can get creative in different ways.
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Everyone thinks because you're from the south you know everyone down there, but it's not like that; I never knew nothing about no Mississippi.
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And it is very moving because one has to see the site not as just another site of development but it is a very special site. It is a site that souls and hearts of all Americans.
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The reality is different. They are so matured as far as democracy is concerned, they rejected the color TV promised by Congress. They rejected the color TV, and they accepted a person who says that I'll serve the notice to tax evaders. And this is the strength of the democracy.
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I guess there's a sort of cycle with writing books. There's all the researching and then the imagining and writing - which is the real job - and then there's always a period when the book comes out and you have to lift your head and venture out.
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Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
