David LaChapelle Quotes
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My work is about making candy for the eyes. It's about grabbing your attention. Even though my work is appearing in magazines I am trying to make a large picture. I want my photographs to read like a poster.
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For me, it's easier to like more things than to dislike them; I'm not a critic in that sense. I find it easier to like more, to be more open and enjoy more things, which has given me more opportunities.
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The minute you point a camera at something, you are manipulating the image, because you are cropping out whatever is to the left and right of it. The minute you put a light on someone, you are manipulating the image.
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I never want people to be repulsed with my pictures; I always want to attract people.
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What I'm doing here is pointing out an irony: Here you have an institution that has systematically protected pedophile priests and then you have an innocent Michael Jackson, who California spent millions of dollars trying to prosecute and could not do it because it was complete bulls - t.
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It's much harder to work for yourself, by yourself, than to create work for a gallery, because there are no limits and you can do anything you want. It's always easier when you have a parameter, when you have a limit. You can work within the limit and push it and walk the line, but when you're given absolutely no limits, it's harder. You must really think. It's more challenging.
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There is nothing ugly in sexuality or in the body. It's human!
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With mania, is it dangerous to ride that euphoric feeling. You feel very animated and creative; I would fill journals with drawings. It feels good and you want it to last, but it can lead to being delusional. The delusions can be as real as you thinking you can fly.
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The tools I learned photographing celebrities, now I want to use them to sell ideas.
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I like thinking about the fragility of the human flesh and our bodies - our decay and eventual death.
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I have always gone to nature, since I was a kid. I was brought up in the woods, I did not have lots of friends, so I spent lot of time alone. My mother always loved to live in the forest; she loved gardens, birds and nature and taught me a deep respect for that. She taught me about growing food and vegetables and to take care of animals. They also have feelings. So nature was always something sacred for me, the place I can go, meditate and pray. It's like a church in the nature for me.
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I believe in a visual language that should be as strong as the written word.
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I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
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As you get older, you think about things differently from when you do in your twenties, when you think you'll live forever.
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As you are working on ideas, you are in a bubble, working on your images. What's important to me in my work, I like this idea of communicating through a piece of art so works don't have to be exchanged. They're okay and they're helpful but most importantly that the image will convey something in my mind that I was trying to communicate and then you have that connection.
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If you want reality take the bus.
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Pictures are an escape. They should be bigger than life. In the same way, celebrities provide an escape from the mundane. They are photographed so we can worship them - so they are worthy of our worship.
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I love fashion, beauty, glamour. It's the mark of civilisation.
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I shoot fantasy. If you want reality, ride the bus
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I think we're in a post-pornographic time and nothing seems shocking, but everything remains carnal no matter what you do.
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The adornment of the body is a human need. I don't see anything superficial about it unless your life becomes very materialistic.
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I never wanted to be famous. I always wanted to take famous photographs.
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If you watch Michael Jackson [1992] concerts from Budapest and compare it to a Madonna concert of today, you'll see such uplifting beauty and a message that you won't see in any other artist of our time.
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I have this idea that you can use glamour and still have it represent something that matters.