Mark Waid Quotes
Dialogue is one of the easiest ways to get character conflict across immediately in comics.
Quotes to Explore
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I am confined to the Lego palate. I don't paint the bricks. I stick with what Lego has made. And the idea behind that is I do want to hopefully inspire kids to go home and create on their own. And if I do, I want them to be able to buy those very same bricks I use. So I don't alter the bricks; I just use what's provided.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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I don't want to be a bust.
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Necessity makes even the timid brave.
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My views naturally have mellowed. Most of the critics have been more or less nice to me.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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Noble character is best appreciated in those ages in which it can most readily develop.
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The people themselves, and not their servants, can safely reverse their own deliberate decisions.
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If you are in this business long enough, you hear about a thousand things that are going to kill you. Open source? Yeah, we are not dead yet. Cloud? That's not new; it's a new name.
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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My hair and my accent are sort of my main assets.
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'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.
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I'm not the girl next door.
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With all of their benefits, and there are many, one of the things I regret about e-books is that they have taken away the necessity of trawling foreign bookshops or the shelves of holiday houses to find something to read. I've come across gems and stinkers that way, and both can be fun.
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I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.
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Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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I like jazz, rock n' roll, some hip hop - I can't think of any music I don't like.
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One of my ongoing projects is to expand third-eye technology whereby two people can watch two different things on a screen or type in two different languages on the same surface - all they have to do is wear a pair of hi-tech glass spectacles.
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The simple Wordsworth . . . / Who, both by precept and example, shows / That prose is verse, and verse is merely prose.
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I get way too much happiness from good food.
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After I work with my editor to get the manuscript in good shape, I sketch and lay out a whole book loosely, usually in black and white. You learn things about your text when you have to think about pacing and page-turns.
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Dialogue is one of the easiest ways to get character conflict across immediately in comics.
