Bill Nighy Quotes
I know really, really famous people who are terrified every time they walk on to a stage.
Quotes to Explore
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I joined the Army at 19 as a soldier and spent about four and a half years with them. Then I broke my back in a freefall parachuting accident and spent a year in rehabilitation back in the U.K.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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Who would set a limit to the mind of man? Who would dare assert that we know all there is to be known?
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One of the missions of 'The Nightly Show' was to have a conversation with America in a sense, and talk about the things that people didn't want to talk about it.
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Television has shied away from being too dark, because so much has happened to us recently here in the West, and people are sort of wanting to see more uplifting sorts of things.
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People with water-borne diseases occupy more than 50% of hospital beds across the world. Does the answer lie in building more hospitals? Really, what is needed is to give them clean water.
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In 1921, Harry Houdini started his own film company called - wait for it - the Houdini Picture Corporation.
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Stealing things is a glorious occupations, particularly in the art world.
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My low center of gravity allows me to defend takedowns a lot better than most people. It's very hard to get to my legs. It's going to be really hard to take me down. There are a lot of positives to being my size.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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I was always looking to record, but how much I actually pursued it was another thing. The major labels weren't that interested in me, and the smaller labels didn't have any money to do anything.
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Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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When I was a kid, I always had my hair in two plaits. But for dancing, I had to have it in a bun because I did ballet.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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The Loire Valley is grossly underestimated. The prices are fair, and the wines are real.
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I've known Mark Hughes for half a lifetime. We joined Barcelona in the same summer of 1986, played together under Terry Venables and Luis Aragones, and have kept in touch ever since.
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European citizens expect that there will be also a fair system inside the European Union and in the euro, and that's why we have to have quite hard discipline.
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I am my own experiment. I am my own work of art.
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I'm an aesthetic empiricist. If you like something, it doesn't matter who made it. There really is no objective standard other than your own taste. You develop your own tastes, you find things that do or do not fit your tastes, and therefore are or are not 'good.' Whether they have been labeled as produced by the right person is another matter.
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For me, the challenge is just making great albums, because talent - and writing in general - is not tangible. There's no expiration date on it. At the same time, you might wake up tomorrow and be unable to write music.
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I welcome people into my life. If they are genuine, they will stay, and if not, they might just leave. Hypothetically speaking, that's their loss. I keep it moving.
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I wouldn't record any song that I didn't like.
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I know really, really famous people who are terrified every time they walk on to a stage.
