Kurt Vonnegut Quotes
Bergeron's epitaph for the planet, I remember, which he said should be carved in big letters in a wall of the Grand Canyon for the flying-saucer people to find, was this:WE COULD HAVE SAVED ITBUT WE WERE TOO DOGGONE CHEAPOnly he didn't say 'doggone.''
Quotes to Explore
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If my love is without sacrifice, it is selfish. Such a love is barter, for there is exchange of love and devotion in return for something. It is conditional love.
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You know, I think I still have a sense that no matter what you do, no matter what you achieve, no matter how much success you have, no matter how much money you have, relationships are important.
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I identified with white culture, and I wanted to fit in. I didn't identify with black culture. Like, I didn't like Tyler Perry movies, and I wasn't into hip-hop music. I liked Neil Young.
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My mom is just so good with fashion! She always tells me what looks good, what doesn't look good, and she gives me great advice.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.
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I'll eat one cookie, not a whole box of cookies. But I'll still eat the one cookie... sometimes two, or even three. But not the whole box.
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In Los Angeles, I'm always in Fred Segal. It's become a ritual. I have lunch and then buy lots of things I don't need. Usually tons of clothes for the kids that they grow out of in 10 seconds.
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My sister was always very motherly, babysitting and stuff.
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There was a time when caddies couldn't wear shorts.
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I doubt there's any government in the world that guides itself primarily by strategy or conceptual documents or worldview. Anybody who has the reins of power has to look at practical limitations and tradeoffs - the fact that you can focus at most on one or two things at a time, that resources are limited.
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At night, I love dressing up. I love putting on an outfit.
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Let the path be open to talent.
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As actors, we put in our best, but when people don't like a film, you have to learn to deal with it. I've learnt not to get too emotional.
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This is my trademark: I rip my T-shirt. I'm into the whole showing-a-bit-of-chest-hair thing.
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For my life, I need to make my own choices.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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I don't want to feel like I'm stuck doing one-stock performances.
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With any book, I try to find where the manner of the making of the book is appropriate to the matter of the subject.
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Don't just learn something from every experience, learn something positive.
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Flying a good airplane doesn't require near as much attention as a motor car.
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I've always been more interested in what happens after the bad thing has happened - the fallout of the bad thing, when people are already damaged. I'm less interested in seeing people when they're fine and following their journey to becoming damaged.
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Bergeron's epitaph for the planet, I remember, which he said should be carved in big letters in a wall of the Grand Canyon for the flying-saucer people to find, was this:WE COULD HAVE SAVED ITBUT WE WERE TOO DOGGONE CHEAPOnly he didn't say 'doggone.''
