Kurt Schwitters Quotes
A museum that really wants to promote modern art might give the artist a guaranty, on certain conditions, so that he can get on with his life and his creations. Or do you believe that the museum is more interested in the artist's death, in order to see the price of his paintings go up?
Quotes to Explore
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I believe that dogma is often evil.
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My mother had a premonition and she felt that hairdressing would be very very good for me.
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I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves.
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I think I need security.
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I used to think I had ambition... but now I'm not so sure. It may have been only discontent. They're easily confused.
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I don't ever want anything to come in the way of me truthfully telling a story.
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When you're a teenage girl, a lot of being pretty has to do with your hair.
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You have to relish the challenge of television.
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We didn't rehearse or play the songs to death before we recorded them, and that let us catch a freshness and energy level we've never really felt while making records.
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You learn something out of everything, and you come to realize more than ever that we're all here for a certain space of time, and, and then it's going to be over, and you better make this count.
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I've always been more of a camera hog than anything, and it's just another way to get it all out!
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I think what it really is, is that I date creative people. And I think that what intimidates them is not my purse; it's my mind.
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Bolivar's legacy has always been a part of the Venezuelan/Latin American imagery, especially in the countries that he liberated or he helped to liberate. He's been a very prominent figure.
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In the theater, it's a visceral and physical response because you move around so much. You have to do something physical to pull you in. On TV or in movies, everything is so small. You can just lock into a character and ease yourself into that way.
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I used to play all the time. I would play football when it was light and read when it was dark.
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Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.
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I believe that acting in any medium is the same thing, it's discovering the truth in where you are.
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There is no truly global justice.
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The music of the Clovers and Spaniels and the rest was like candy to me. I couldn't get enough; my teachers probably thought I had attention deficit disorder.
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I thank God that I can say on my death bed that I am a virtuous woman.
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Personally, I wouldn't mind going on stage naked, totally naked.
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I shall be richer all my life for this sorrow.
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Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson – harpshooting poet of wild nights. She zooms in on the detritus of love – the broken fragments, the fallen leaves – and puts together a collage that is as heartbreaking as it is beautiful. Watch out – she’s driving down your street.
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A museum that really wants to promote modern art might give the artist a guaranty, on certain conditions, so that he can get on with his life and his creations. Or do you believe that the museum is more interested in the artist's death, in order to see the price of his paintings go up?
