Bill Parcells Quotes
Quotes to Explore
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Even as a kid, I read 'Jung – Reflections and Individuation In Fairy Tales'; all the inner circle of Jung was a real huge thing for me.
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At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
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I have a song about being in love. I have a song about being supportive. There's inspiring ones, and there's some that show a little bit more fun and daring. It really is a range of who I am.
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Passover is my idea of a perfect holiday. Dear God, when you're handing out plagues of darkness, locusts, hail, boils, flies, lice, frogs, and cattle murrain, and turning the Nile to blood and smiting the firstborn, give me a pass. And tell me when it's over.
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That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
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The women I know who have children and have careers, they seem to be very happy. They love their children and they love their jobs. But happiness comes out of being willing to do your work in your twenties to find out who you are, what you love.
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Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.
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If you're not in it you can't win it.
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Whatever I know how to do, I've already done. Therefore I must always do what I do not know how to do.
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I don't understand why there aren't more powerful female directors. I don't have the answers, but I hope that things may start to shift and that studios will employ more women to handle strong and interesting material.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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The role model approach to social change is no substitute for challenging unjust employment practices, educational policies and housing.
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What's really good is African drum music.
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I've done a lot of Super Bowls and appeared in a lot of big, big events and places and the Masters and what have you, but there was nothing as intimidating as speaking with Billy Graham.
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I love researching, I love interviewing.
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The most common criticism I've seen is that I write 'popcorn fantasy:' lightweight action-adventure. Some people call it that as they explain why they love it for exactly that reason. I'm cool with that, either way. I just nod and let it go.
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Don't underlook the Sixties; we started eating more vegetables, respecting women, and we shut down Vietnam. We did a lot of good stuff. But it shouldn't shut you down from the moment.
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I grew up in a two-parent household. We all played sports, all sports, which cost a lot of money. My pops was an attorney; he went to College of the Holy Cross with Clarence Thomas. My mom worked a bit, then gradually came home and took care of us full time.
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The job is not to succeed but fail more interesting than the last time—- in a more subtle fashion or in a more intriguing way.
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That's my style of fighting. I am throwing down, you know? Having fun. And that's my approach to life.
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I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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If I made a film today, it would certainly be on digital.
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I was fighting every windmill, especially when I was in college.