David Liss Quotes
I went with the old adage that you should write what you know. What I knew was 18th century Britain, so what I decided I would do is write a novel based on my dissertation research.
Quotes to Explore
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Do I not destroy my enemies when I make them my friends?
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People are struggling. They're trying to make ends meet, and they're looking for Washington to deliver for them. And they don't feel that that's been happening as quickly as it should. We share that frustration. There's no one more frustrated than President Obama.
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When people go through something rough in life, they say, 'I'm taking it one day at a time.' Yes, so is everybody. Because that's how time works.
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Plays by people like Martin McDonagh and Brian Friel attract huge audiences, not because they're Irish, but because they're brilliant plays.
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You've got to be closer to the edge than ever to win. That means sometimes you go over the edge, and I don't mean driving, either.
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I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
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A dream is a scripture, and many scriptures are nothing but dreams.
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I learned the mechanics of how to fly a plane, but I never lifted a plane off the ground.
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I've always wanted to do a shoot with snakes - big snakes, like pythons.
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Youth is that period when a young boy knows everything but how to make a living.
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The wise through excess of wisdom is made a fool.
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Markets will rise and fall, but this is the United States of America. No matter what some agency may say, we've always been and always will be a AAA country.
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Starvation, and not sin, is the parent of modern crime.
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Crime, especially crime involving money, reflects the gap between the expectation to provide and the ability to provide… If we really want men to commit crime as infrequently as women, we can start by not expecting men to provide for women more than we expect women to provide for men.
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One of the difficult things of making a horror sequel in general is because the horror genre is so founded on surprise.
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I got obsessed with makeup and makeup artists when I was young, with people like Kevyn Aucoin.
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Those first big concerts we played as 'Throwing Copper' started to really reach people worldwide - I think we played our first big arena show at the George Estate basketball arena down in Atlanta. I remember showing up and standing on stage and just being like, 'I can't believe this is going to be full of people. This is huge.'
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Teaching is not a lost art, but the regard for it is a lost tradition.
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Stevie Wonder is extraordinary.
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In the trunk of her car, my mother used to keep a collapsible easel, a clutch of brushes, a little wooden case stocked with tubes of paint, and, tucked into the spare-tire well, one of my father's old, tobacco-stained shirts, for a smock.
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I went with the old adage that you should write what you know. What I knew was 18th century Britain, so what I decided I would do is write a novel based on my dissertation research.
