Krzysztof Kieslowski Quotes
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
Quotes to Explore
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I don't think I have a signature.
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Stand with anybody that stands right, stand with him while he is right and part with him when he goes wrong.
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Politics and power is a realm of relative influence.
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Every man prefers to look at a well-shaped woman instead of a rubber ball.
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Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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Your private life is really very important for you. You know, all of us, you know.
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I'd long wanted to write about that moment when a woman steps off the career track to have her first child. For me, that was a scary time.
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Well did graduate summa cum laude from Fordham University.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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As long as the number one worry for people, keeping them up at nights, is whether they're going to have a job in the morning, then they are less likely to resist unfair changes, or unfair treatment, or cuts in real pay at work.
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There's some quality you get when you're not totally comfortable. When you're not doing what you're used to, you could completely fall on your face. You could completely blow it.
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I've always considered myself a filmmaker who writes stuff for himself to do.
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Sweden is the home of my ancestors, and I have reserved a special place in my heart for Sweden.
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Girls are really looking to places that have limits and boundaries: where adults are the adults and there are rules, and where they feel safe.
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When you have the first show set in India on American television, there's gonna be a Nervous Nellie kind of vibe.
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All the children of the great men in Persia are brought up at court, where they have an opportunity of learning great modesty, and where nothing immodest is ever heard or seen.
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My first manager, Suzanne DeWalt, saw a play I was in. She was invited by the director Joan Scheckel, who was my first real acting teacher. Joan was also good friends with my friend Susie Landau Finch, who had first encouraged me to consider acting, so that's how I began studying.
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I did a lot of theater in college, and I knew that not many people make it, but I just figured, 'Well, I really want to try acting while I'm young, and I don't ever want to look back and say that I never gave it a try.' I fully figured I'd be back in grad school - probably for psychology.
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The factory is the machine that builds the machine.
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I am running into a new year and the old years blow back like a wind that I catch in my hair like strong fingers like all my old promises and it will be hard to let go of what I said to myself about myself when I was sixteen and twenty-six and thirty-six but I am running into a new year and I beg what i love and I leave to forgive me.
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It's an amazing feeling to go into a studio and really be alone.
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During the first five years that I was writing the series, I made plans and wrote small pieces of all the books. I concentrate on one book at a time, though occasionally I will get an idea for a future book and scribble it down for future reference.
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Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
