Krystle D'Souza Quotes
Who doesn't wants to be seen on the big screen? But that doesn't mean I will be a part of any project. TV has given me recognition, and I need to live up to the expectation of my audience.

Quotes to Explore
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It may be assumed as a fixed truth that the prosperity and riches of the farmer must depend on the prosperity and good national regulation of trade.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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Even in this globalised world, London is still the standard for our times. The city has embraced the world's diversity and represents the finest in human achievements.
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I liberate minds with my music. That's more important than liberating a few people from apartheid or whatever.
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Anyone familiar with my work knows that I am extremely critical of all religious faiths.
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The key to winning baseball games is pitching, fundamentals, and three run homers.
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I have always believed that one should not be scared of losing, I think that really is the key.
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I've dealt with a lot of couples over the years, and most cite the battle for closet and bathroom space as one of the most frequent causes of marital discord.
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I do want to lose weight for my children. I don't want them to think being fat is okay.
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There are no opportune times for a penalty, and this is not one of those times.
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My eye is ever on those who love me.
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To take part in this brothel through the payment of my taxes, that had become to me unbearable.
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Ulysses, obviously. It was an elaborate prank, and our supposed intellectual elite continue to fall for it.
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A good writer can set a thriller anywhere and make it convincing: the trick is to evoke the setting in such a way that it highlights the crime or unsettles the reader.
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As people talk, text and browse, telecommunication networks are capturing urban flows in real time and crystallizing them as Google's traffic congestion maps.
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I don't sleep. I hate those little slices of death.
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When a show has gotten as much attention as this one, everyone wants to join in with something to say.
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I had never really felt settled in Brooklyn. I think it had to do with growing up in New Jersey and being someone who her whole life wanted to live in the city, and the city meant Manhattan.
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There are always two or three or four sides to every story.
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Yeah, I think that a play is a huge commitment, and I think that what it requires of you is a lot, so it really makes you dig in and find things, and it just makes you sharp, 'cause it's live. Really, to me, it separates the men from the boys. I always say it's like the frontlines of acting, when you're on stage.
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Just, whenever you can, get up and sing at a gig or jam. If you have a chance, take it and keep on getting up. Keep going - but not If people boo, 'cause that's just mean. I think that could be setting yourself for disappointment.
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When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective.
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It was inevitable at some point that I would bump into one of my father's plays. The reality of the situation is that I'm a jobbing actor, and any actor would give their eye-teeth to have one of those roles. It's a no-brainer! I'm pleased the stars have aligned around 'Arcadia.'
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Who doesn't wants to be seen on the big screen? But that doesn't mean I will be a part of any project. TV has given me recognition, and I need to live up to the expectation of my audience.