Kriti Sanon Quotes
I will always choose to work in a movie based on whether I would want to watch it - if I would be willing to spend money in a theatre on it. The script and the people you will work with come after that.
Quotes to Explore
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Even as a kid, I read 'Jung – Reflections and Individuation In Fairy Tales'; all the inner circle of Jung was a real huge thing for me.
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Claiming to 'fight for small business' is often used as a political tool in Washington D.C., but it is actually the policies behind that battle cry that small firms care about.
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I think it's always best to be who you are.
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Dinner is often a stew of beans or legumes, which are awesome for dieting; they give you that meaty satisfaction and both are excellent with whole grain rice or bread.
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At times, it seems as if the only women effortlessly balancing their jobs, kids, husbands and homes are the ones on TV.
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I bite my nails. I've been chewing on them for years. As long as you don't chew through flesh it's all right.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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Besides the actual reading in class of many poems, I would suggest you do two things: first, while teaching everything you can and keeping free of it, teach that poetry is a mode of discourse that differs from logical exposition.
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I've done a lot of practical anthropology, living in villages with people and realizing how difficult it is to get out of poverty. When in poverty, people use their skill to avoid hunger. They can't use it for progress.
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Life only demands from you the strength that you possess. Only one feat is possible; not to run away.
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If you can get yourself where you're not afraid of dying, then you can move forward a lot faster.
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The presence of passion within you is the greatest gift you can receive. Treat it as a miracle.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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A spirit of innovation is generally the result of a selfish temper and confined views. People will not look forward to posterity, who never look backward to their ancestors.
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You learn stuff from every character you play about the human condition that can be quite enlightening.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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As awful as crime can be, it's what happens afterward - the struggling to get out of bed, to put one foot in front of the other - that alters people.
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This Islam business kidnapped me.
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We can put millions of America's idle young people to work helping to repair and restore America's deteriorating infrastructure, public utilities, and transportation systems. Nothing would revitalize the nation's sagging economy more than such a commitment.
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Since September 11 2001, editors in America have faced some excruciating choices, as the attempt to wage a war against a new kind of enemy sometimes strained the boundaries of our laws and values.
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Krzhizhanovsky wanted to perform imaginary experiments with the nature of time and space. Outside, in the streets, the Communist state was busy performing such experiments for real. In response, Krzhizhanovsky's prose has a recklessly unstable tone in which delighted examination of impossible worlds can slip into ferocious political sarcasm.... It is a method for investigating how much unreality reality can bear.
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Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition or prejudice.
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I would dodge, not lie, in the national interest.
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I will always choose to work in a movie based on whether I would want to watch it - if I would be willing to spend money in a theatre on it. The script and the people you will work with come after that.
