Nathaniel Hawthorne Quotes
Quotes to Explore
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I'd rather learn from one bird how to sing than teach ten thousand stars how not to dance.
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There was a lot of me trying to be a 'fixer.' I was that kind of guy. I'd meet someone who had 'so much potential' that needed 'help.' I think that was kind of my curse for a long time.
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I feel like my story would've been different had I had a chance to play with Bron when I was 18. I've thought about it countless times.
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I am in that glorious position where I can redesign and re-package my own work.
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The next time you're driving from New York to Boston on I-95, you should make a little detour in Pawtucket, Rhode Island, to visit the Old Slater Mill national historic landmark. It's the site of what is considered to be the first successful water-powered textile spinning mill in America.
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I've done 20 takes of a Vine before it goes out.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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If I was a condiment, I'm gonna go ahead and say I would be Sriracha, because I go well with other things. I'm too much for some people, and hipsters like me.
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Americans are very easygoing people. If the added attention and great visibility that I have been able to generate can help open doors and expose more Chinese to American values and the American way of life, that is great.
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I love dressing up for events; to me it's almost like wearing a costume for the evening.
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Fame is a delicate and dangerous creature; I saw people who didn't honor it, who refused to take responsibility for it, get destroyed by it. I also saw that stardom in and of itself was empty.
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There's no more important bonding thing than a mother doing the daughter's hair. We sit at our mother's knee and learn who we are.
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I am confident. My style of play is to control a game. You have to be smart in your brain and fast.
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Paddy Considine is a great friend of mine, and he is a natural actor because he is an artist, and I'm not an artist. If I ever blow my own trumpet, it's as a craftsman.
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I would sooner read a time-table or a catalogue than nothing at all. They are much more entertaining than half the novels that are written.
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I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.
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The luxury of radio is that you don't spend hours in make-up, and you can wear whatever you want. It's bizarre. You'll be saying lines, with various people around making sound effect noises.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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If there is a doctrine, a message behind Live, it's just that wordless intensity that doesn't necessarily have to mean anything.
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Arab leaders worry more about making money from the profits they get from oil and gas that they turn the other way when Lebanon is being destroyed right next to them. Their neighbours are being murdered, but they only make calculations for their own benefit.
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There is no night life in Spain. They stay up late but they get up late. That is not night life. That is delaying the day.
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If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it.
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It's about communication. It's about honesty. It's about treating people in the organization as deserving to know the facts. You don't try to give them half the story. You don't try to hide the story. You treat them as - as true equals, and you communicate and you communicate and communicate.
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Accuracy is the twin brother of honesty; inaccuracy, of dishonesty.
