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I'm not cool at all. I'm the least cool person I know.
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Acting was a slow-burn thing. I found it was something I really, really liked doing, but it wasn't until my third year at drama school that I actually thought, 'Oh, right, I'm trained for this now; I'd better see if I can do it.'
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Having my own family has made me realise there's more to life than chasing the next job.
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I love acting. It's what I do, not what I am.
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You can finish the day's filming or the whole shoot or watch something months later and think you could have done it so much better. It's frustrating.
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'Pride And Prejudice' takes place in a similar period to 'Vanity Fair,' and yet there's a huge difference between Jane Austen and Thackeray.
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My family weren't actors, and we didn't know any actors. It wasn't even something I was aware you could do as a job. I thought you had to be a Redgrave or a Barrymore before you were allowed to go to drama school.
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Getting older doesn't bother me. When I was 30, I thought I should have achieved more, but you get more comfortable and think it's time to stop putting pressure on yourself.
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Being an actor does make you aware of your age.
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I've enjoyed all the work I've done, and I feel quite lucky that I haven't been playing sweet girls all the time.
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I really like working, the opportunity to work with good people and to play interesting parts.
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I wouldn't feel comfortable talking to someone I didn't know very well and, beyond that person, a readership of X millions, about things I think are private.
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Period drama is such a huge umbrella term: it seems to cover everything from Claudius to something from the 1920s.
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I was told it might be quite difficult to conceive, so it really was a great blessing when my pregnancy suddenly happened. I had been diagnosed years ago with polycystic ovarian syndrome, which can affect your fertility - but luckily, in my case, it didn't.
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I've been very fortunate.
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I love my work, and I feel fortunate to be doing a job I love, but it isn't the centre of my life.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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I've never, ever done a piece of work - and can't imagine doing a piece of work - when I've thought, 'I was pretty perfect in that.'
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I love rehearsing; it's the best part of the job.
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By the time I was 10, I had lived in 11 different countries.
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I know it sounds ridiculous, but I haven't quite got over the miracle that you plant things, and they do sprout up.
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I have this sense of humour which is about as sophisticated as a seven-year-old schoolboy. I get very overexcited and silly.
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I know some people are really comfortable with talking about their feelings and hopes and fears in public, but I'm not, and I don't think it's that extraordinary.
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It might be quite boring if you did something and thought it was perfect.