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I thought when I started meditation that I was going to get real calm and peaceful and it's going to be over. It's not that way; it's so energetic. That's where all the energy and creativity is.
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I love music, of course, and many, many, many genres. There are hardly any songs I would say that I hate. There's a couple, and I don't even know exactly why I don't like them.
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I have no problem getting financing. I have a problem catching ideas that I fall in love with for the next feature.
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I always loved smokestack industry, and I love towns or cities that have grown up around factories.
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I didn't watch much TV as a kid and I don' t watch it now. I don' t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can't do in film is make a continuing story - which is so cool!
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Don't make a film if it can't be the film you want to make. It's a joke, and a sick joke, and it'll kill you.
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Negativity is the enemy of creativity.
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I've loved music always, and my music fire was lit by Elvis Presley, really, and all that was happening back then.
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Film can't just be a long line of bliss. There's something we all like about the human struggle.
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Every viewer is going to get a different thing. That's the thing about painting, photography, cinema.
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Humor is very interesting to me. My films are not comedies, but there's comedy in them from time to time, absurdities, just like in real life.
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The beginning dictates the direction and you never know where you're going to go ... the mood is what you're looking for, and somehow we always find it.
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A lot of artists think they want anger. But a real, strong, bitter anger occupies the mind, leaving no room for creativity.
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I was raised Presbyterian, but I'm not really going to church. I think the experience in meditation is pretty much where it's at for me.
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The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
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I think that ideas exist outside of ourselves. I think somewhere, we're all connected off in some very abstract land. But somewhere between there and here ideas exist.
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Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs.
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Francis Bacon is one of my giant inspirations. I just love him to pieces.
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I supported myself by delivering the 'Wall Street Journal' and doing odd jobs. I love plumbing and carpentry.
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A film - especially when it's a personal film - is going to hit somebody or it's not. There's nothing you can do about it.
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I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go.
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I love Bob Dylan. Who doesn't? He tapped into some kind of vein and it keeps on keeping on. There's nobody like him. He's unique, and just... way out cool.
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When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it.
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I love super crispy, almost burned, snapping-crispy bacon.