David Muir Quotes
There's something about a sign-off that seems predictable. I just say whatever comes to my mind, to the pleasure and horror of the control room, I'm sure.
Quotes to Explore
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I've fallen victim to worrying about what everybody thinks. It's never going to be that everyone is happy. You just gotta know what you like and go with it.
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For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
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With a gentleman I am always a gentleman and a half, and with a fraud I try to be a fraud and a half.
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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What I love about the sci-fi community is that it's the most nonjudgmental, inclusive, diverse environment in the country. There's no group of people that is more diverse and inclusive.
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Conscience is the inner voice that warns us that someone might be looking.
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My parents are very modern. My father is a cosmopolitan person. He always supported the fact that I will be an actress. There is nothing else I would do rather than being an actor.
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Dance should mean something to you.
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I wasn't going to make a slick, glossy over-produced piece of entertainment because then I would be doing what the Capitol did. Then I'm actually putting on the Hunger Games and not making a movie of the 'Hunger Games.'
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Even if I'm making music for people for $20 a night, at least I'm making music.
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I love the crowds at festivals because they're so chilled out.
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I'm going to go to school. It doesn't matter what the outcome is as long as I did it. I can say I did it.
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I pretty much make time for that weekly manicure.
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Law enforcement officers are never 'off duty.' They are dedicated public servants who are sworn to protect public safety at any time and place that the peace is threatened. They need all the help that they can get.
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I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
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Give the peasants neither life nor death.
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The typical output deal from a studio is 10 to 14 movies a year.
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I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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When I was very young, I used to share much of what I wrote with my family, but as I got older and more self-conscious, it became a much more private process.
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I like the hot-cold, the sugar-salt, being able to play over-the-top and dramatic things - in the same film. Just as in my life, I can be very funny and at other times almost extinguished.
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I finally learned that doing what I want isn't love. I don't want to hurt him again by acting childish.
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A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.
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I remember writing lyrics for 'Take Me to Church' for a long time before I even had a song in mind for. It's not that I was trying to write that song for a year, but sometimes you just kind of collect lyrical and musical ideas and don't actually complete the song until you feel like they work together and have a home.
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There's something about a sign-off that seems predictable. I just say whatever comes to my mind, to the pleasure and horror of the control room, I'm sure.
