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I really was a terrible actor. I did it for years in my twenties because it was like being at university again.
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I still find it absurdly difficult to concentrate on a novel if there's a phone or computer to hand; I have taken to locking them outside the room like noisy pets.
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I've only ever been recognised in the street once. In Sweden, strangely.
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If there's anything I'm keen to get better at in my writing, then it's the writing of prose as opposed to the writing of dialogue.
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For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.
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Well, I don't think Hollywood's a dirty word at all, I love a lot of Hollywood films.
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My 20s was a sea of worry. I worried about benefit forms, about being thrown out of my flat. I never went on holiday because I thought: 'What if an audition comes up?' I was a nervous wreck.
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I've been a compulsive reader for as long as I can remember.