David O. Selznick Quotes
Quotes to Explore
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Liberty is a word which, according as it is used, comprehends the most good and the most evil of any in the world.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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The biggest challenge is always the governments - they try to stop all good things. I try to stay away from them as much as I can, as I know if someone can destroy something good, it's the government.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I do think Jesus would skip church on Sunday morning and instead visit the nursing homes and retirement homes where so many have abandoned their loved ones.
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Growing up in San Diego, I can remember going with my brother to see bands like Pennywise and NOFX - good punk bands that were fast and tight.
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Out-innovating them is the way to beat China. And to do everything that we do in this country to support innovative policy, that drives innovation and new products and more jobs and creates jobs. You can't - you can't put a wall up around here. We tried that in the '30s. It didn't work.
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Playing good girls in the 30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
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I work with all these amazing voice actors that do a kajillion voices.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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Quakers almost as good as colored. They call themselves friends and you can trust them every time.
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The team is in great shape, the coaching staff, the front office. Just things feel really good chemistry-wise across the board.
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Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
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If I could never work again and I could just listen to music and walk, I'd be very, very happy.
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Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.
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Our brand of democracy is hard. But I can promise that a year from now, when I no longer hold this office, I'll be right there with you as a citizen - inspired by those voices of fairness and vision, of grit and good humor and kindness that have helped America travel so far.
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I had always felt deep down that I owned the characters. Much as I adored and cherished the work of my actors, I felt that they were cast to do and be what I could not physically do or be.
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I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this particular trend goes on, or if this particular trend is the most dominant. That's a science fictional tool.
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The mandate for the CTO's office is to unleash the power of technology, data, and innovation on behalf of the nation. The CTO's office is really trying to bring best practices, possibilities, pilots, and policy advising.
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What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.
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One of the most powerful feelings in the world is after a really, really long run.
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I don't think I'm going to do any good work this morning.
