Marlon James Quotes
I grew up with reggae. Reggae is like family. I know it, and there's a type of love and familiarity, but sometimes you want to hang out with other people.
Quotes to Explore
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I'm 43. I'm not ready to sit down in a chair with my name on it yet.
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It's nature-nurture, right? I've been nurtured by Californians.
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The impact of any particular writer on your own work is hard to discern.
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Starting in business is like getting married... there is really no good time and no bad time. The time is now.
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In U.S. sports, you tend to be pretty strictly limited by the size of your team's market. When we heard that Villa was a club here that might be available, I had a strong feeling that a team in the West Midlands could be the chance to create something very special.
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The Technion didn't teach students how to open a start-up.
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I started off in journalism 16 years ago in Stockholm, and I wrote for a few different publications for many years. I've also worked in advertising as a copywriter and creative director, but I changed it for architecture at 25 years old.
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There's nothing wrong with looking like a woman and going in the workplace and doing everything a man can do but looking 1,000 percent like a lady.
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There's nothing funnier than the human animal.
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Cinema sustains life. It captures death in its progress.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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Nonchalance is the ability to remain down to earth when everything else is up in the air.
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I always think that good writers should be growing up on the brink of death - it really lets them see mortality very clearly.
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People appreciate and follow the person who can persuade them properly. Make that person you.
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I've traveled all over the country for years speaking in churches, teaching the Ten Commandments. It's amazing if 2 percent of any congregation knows the Ten Commandments.
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The past speaks to us in a thousand voices, warning and comforting, animating and stirring to action.
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All my Dominican friends live in an area called Los Venaga. Their houses are shacks. They'd invite us over to dinner, and we'd sit in plastic chairs on the dirt inside a house.
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A thing I do with all my characters is I break them down into one of three things: mind, heart, and groin. I figure out where they come from and what they utilize most.
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If ever I was feeling down I would go and write something. It's a form of escape.
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'Halo' I wrote with my grandpa in his nursing home. When I went to visit him, he'd often comment on my halo. But of course, I couldn't see. And he always - he had pictures of Jesus with these beautiful halos. And so I asked him if he'd write a song with me about Jesus' halo.
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A massive state and federal effort, the likes of which we've never seen is going to be needed. We can do it for tsunami victims half a world away. We can do it for our own citizens.
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I'm kind of a homebody. I like to sit at home and watch movies and eat good food.
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I've been very lucky. I made a choice, getting out of school, to follow the work and the people that really struck my heartstrings; 'Natasha, Pierre & the Great Comet of 1812' was one of those - maybe it was an accident.
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I grew up with reggae. Reggae is like family. I know it, and there's a type of love and familiarity, but sometimes you want to hang out with other people.
