David Oyelowo Quotes
I truly think a long career is to keep the audience guessing and not being able to be boxed, and for me, I'm not hell-bent on playing the lead in things as long its an interesting character with phenomenally talented people, and it's a script that I feel is genuinely innovative, creative, and potentially interesting for an audience.
Quotes to Explore
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I think everyone who goes to see a 'Bond' movie expects to be impressed by the look and the locations chosen. Certainly I was when I grew up watching them, and I don't think that's changed in the last 50 years.
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During the 2008 election, I made clear to the Obama campaign that I don't think it's wise for me to force my personal political agenda on anyone.
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Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
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As far as Israel, I am not worried about the relations between Israel and the United States.
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Whatever they did for democracy, the U.S. interventions in the Middle East and the vaunted Arab Spring have proved to be pure hell for Arab Christians.
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Reverence is fatal to literature.
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I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
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I had studied theater for three years in London when someone suggested me for the role.
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The older I get the more of my mother I see in myself.
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What is lost in the good or excellent translation is precisely the best.
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Still, records are documents of a period of time. Most records are documents of two or three years, and I just approached it as a record I was doing over a 20-year period of time.
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When I got into college, I found what ultimately became my life's work. I couldn't sleep at night, I was so excited about it. So I'm attracted to people who play at that level. They actually want to play in their professional life.
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There's a difference between a failure and a fiasco... a fiasco is a disaster of mythic proportions.
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?'
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Steve Jobs was never going to let Flash on any Apple product again like that after in 1997 - he's got a long memory - they said no and Bill Gates said yes.
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One knows less about one's own destiny than about anything else on earth.
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Excelsior, higher and higher, but only step by step.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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It's not how many tickets can we sell, it's where do we want to play, not where should we play to make the most money. We don't really care about that.
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That industry expects you to prove yourself over and over again. Do I stay doing this, or do I raise my daughter and live surrounded by people who love me? Wasn't even really a choice.
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But all that being said about modulation, if you're serving people delicious food, they won't complain.
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There is no stronger test of a person's character than power and authority, exciting as they do every passion, and discovering every latent vice.
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So long as we see the stones and joints, and are not deceived as to the points of support in any piece of architecture, we may rather praise than regret the dexterous artifices which compel us to feel as if there were fibre in its shafts and life in its branches.
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I truly think a long career is to keep the audience guessing and not being able to be boxed, and for me, I'm not hell-bent on playing the lead in things as long its an interesting character with phenomenally talented people, and it's a script that I feel is genuinely innovative, creative, and potentially interesting for an audience.
